Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    31 Days of Halloween

    Dolls (R)

    Matt DeCristo By Matt DeCristoOctober 14, 2018No Comments2 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    I have always had an unhealthy fear of dolls and the like, and can vividly recall averting my eyes and scurrying past the video of “Dolls” when I would venture to Blockbuster or Video-to-Rol with my parents.

    Released in 1987, the Empire Pictures effort was hardly a financial success; costing $2 million to make and grossing only $3 million in return. Nevertheless, the movie preceded the notorious “Child’s Play” for the doll horror genre and though the acting and characters are over the top, the cheapened effects of the time actually make for some really sinister moments in the movie.

    Playing like an episode of ‘The Twilight Zone,’ “Dolls” has a plot that’s so obvious you can spot it about five minutes into the story. A terrible storm forces the Bower family to a remote mansion, where they meet the elderly Hartwicke couple. Gabriel Hartwicke (Guy Rolfe) is a toy maker who speaks in riddles and puns, giving away his true intentions in an overly conspicuous way. Various dolls and puppets are scattered about the entire house; his own handmade creations.

    Daughter Judy Bower (Carrie Lorraine) is the main character, and she’s a cute kid who provides an effective, albeit simple performance. She befriends fellow stranded traveler Ralph (Steven Lee) a man-child with a friendly disposition and welcoming heart. Ralph is the only other occupant of the house that’s decent. Judy’s father and stepmother are typically horrible parents, and two ridiculously 80s British punk girls round out the characters. There’s little in the way of depth for any of them. We know they are all terrible people, and we all know what’s going to happen to them.

    While the acting and the story are anything but ingenious, the individual scenes once things get going are quite chilling. The true terror coming from the dolls themselves; an eclectic ensemble of horrifying looking things, with eyes moving, smiles cracking, and an ominous giggling sound coming from behind closed doors. Oh yes, we know right from the beginning that there’s more to the dolls than just an ambiguous uncertainty.

    If you have a fear of dolls, you’ll find this movie particularly scary. Its done in an outlandish way that wreaks of the 1980s and doesn’t compare to much more terrifying doll movies that have come since. Its still a decent effort from an unheralded film.

    by – Matt DeCristo

    1987 Carolyn Purdy-Gordon Carrie Lorraine dolls Ian Patrick Williams
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleThe Witch (R)
    Next Article The Amityville Horror
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama June 16, 2025

    ‘Happy Birthday’ Tribeca Review: A Beautifully Grounded Portrait of Classism, Labor, and Girlhood

    Black Comedy June 16, 2025

    ‘Sister Midnight’ Review: Sapped of All Energy, a Defiant Domestic Goddess Bites Back

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    Movie Review June 10, 2025

    ‘The Day After’ Review: Epic TV Movie Demonstrates the 80s Don’t Hold Punches

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Happy Birthday’ Tribeca Review: A Beautifully Grounded Portrait of Classism, Labor, and Girlhood

    By Paul Emmanuel EnicolaJune 16, 20250

    ‘Sister Midnight’ Review: Sapped of All Energy, a Defiant Domestic Goddess Bites Back

    By Vidal DcostaJune 16, 20250

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Sister Midnight’ Review: Sapped of All Energy, a Defiant Domestic Goddess Bites Back

    By Vidal DcostaJune 16, 20250

    Trapped in a loveless marriage and repulsed by the repetitive need to conform, Uma (Radhika…

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.