Close Menu
    Facebook X (Twitter) Instagram
    Sunday, June 21
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    31 Days of Halloween

    Dolls (R)

    Matt DeCristoBy Matt DeCristoOctober 14, 2018No Comments2 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    I have always had an unhealthy fear of dolls and the like, and can vividly recall averting my eyes and scurrying past the video of “Dolls” when I would venture to Blockbuster or Video-to-Rol with my parents.

    Released in 1987, the Empire Pictures effort was hardly a financial success; costing $2 million to make and grossing only $3 million in return. Nevertheless, the movie preceded the notorious “Child’s Play” for the doll horror genre and though the acting and characters are over the top, the cheapened effects of the time actually make for some really sinister moments in the movie.

    Playing like an episode of ‘The Twilight Zone,’ “Dolls” has a plot that’s so obvious you can spot it about five minutes into the story. A terrible storm forces the Bower family to a remote mansion, where they meet the elderly Hartwicke couple. Gabriel Hartwicke (Guy Rolfe) is a toy maker who speaks in riddles and puns, giving away his true intentions in an overly conspicuous way. Various dolls and puppets are scattered about the entire house; his own handmade creations.

    Daughter Judy Bower (Carrie Lorraine) is the main character, and she’s a cute kid who provides an effective, albeit simple performance. She befriends fellow stranded traveler Ralph (Steven Lee) a man-child with a friendly disposition and welcoming heart. Ralph is the only other occupant of the house that’s decent. Judy’s father and stepmother are typically horrible parents, and two ridiculously 80s British punk girls round out the characters. There’s little in the way of depth for any of them. We know they are all terrible people, and we all know what’s going to happen to them.

    While the acting and the story are anything but ingenious, the individual scenes once things get going are quite chilling. The true terror coming from the dolls themselves; an eclectic ensemble of horrifying looking things, with eyes moving, smiles cracking, and an ominous giggling sound coming from behind closed doors. Oh yes, we know right from the beginning that there’s more to the dolls than just an ambiguous uncertainty.

    If you have a fear of dolls, you’ll find this movie particularly scary. Its done in an outlandish way that wreaks of the 1980s and doesn’t compare to much more terrifying doll movies that have come since. Its still a decent effort from an unheralded film.

    by – Matt DeCristo

    1987 Carolyn Purdy-Gordon Carrie Lorraine dolls Ian Patrick Williams
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleThe Witch (R)
    Next Article The Amityville Horror
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Movie Review June 21, 2026

    ‘Elephant’ Review: Fascinating Film Touching on Difficult Subject Matter

    Documentary June 20, 2026

    ‘Bob and David Climb Machu Picchu’ Tribeca 2026 Review: A Travelogue of Old Friends, Older Knees, and Same Absurd Timing

    Romance June 20, 2026

    ‘Urban Myths: Necromancy,’ is a Grisly and Gay Vignette that Demands its Own Feature Outing

    Action June 18, 2026

    40 years of ‘Top Gun’ and Why the Hit that Almost Wasn’t Continues to Stay with Us

    Sci-Fi June 16, 2026

    ‘Disclosure Day’ Is Spielberg’s Tender, Thoughtful, Kooky, Old-Fashioned Sci-Fi Thriller About Generating Shared Empathy

    World Cinema June 15, 2026

    Tribeca Festival 2026: Tao Zhang’s ‘Against the Flow’ is Artistic and Introspective Yet Bleak and Abstract

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Elephant’ Review: Fascinating Film Touching on Difficult Subject Matter

    By Matt DeCristoJune 21, 20260

    ‘Bob and David Climb Machu Picchu’ Tribeca 2026 Review: A Travelogue of Old Friends, Older Knees, and Same Absurd Timing

    By Paul Emmanuel EnicolaJune 20, 20260

    ‘Urban Myths: Necromancy,’ is a Grisly and Gay Vignette that Demands its Own Feature Outing

    By Vidal DcostaJune 20, 20260

    Ranking the Big-Screen ‘Robin Hood’ Movies, Including Michael Sarnoski’s ‘The Death of Robin Hood’

    By Nathan FlynnJune 19, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Bollywood
    Bollywood

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    Sagar (Irrfan Khan), an ambitious musician rents a quaint cottage while awaiting his acceptance letter…

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260

    Halfway to Halloween: ‘Lekin…,’ a Time-Spanning Tale About Crossing Over to the Other Side

    By Vidal DcostaApril 22, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.