Close Menu
    Facebook X (Twitter) Instagram
    Saturday, March 7
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Comedy

    High Fidelity (R)

    Matt DeCristoBy Matt DeCristoSeptember 15, 2018No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    What came first the music or the misery, opines typical cynical single guy Rob Gordon to open “High Fidelity.”

    Set amidst the immense scrapes in the beautiful city of Chicago sometime in the 1990s, “High Fidelity” stars John Cusack as the owner of a record store called Championship Vinyl, who is never able to make relationships with women work.

    Breaking the Fourth Wall throughout, Rob narrates to us as he relives his top 5 breakups of all time in effort to determine how it is he is always failing at love. The top 5 theme is consistent with his duties at the record store where he and friends/employees (Jack Black, Todd Louiso) compile top five music lists for everything imaginable. Each of the men considers themselves something of a savant when it comes to music, belittling the poor taste of others and quizzing themselves on various obscure musical topics.

    “High Fidelity” has an interesting concept and one that could only be born in the 1990s – yes it was released in 2000, but the flavor of the story, the style of the characters, and the nature of the setting itself embody that perfect final decade of the century. The genre of alternative music came about in the early 90s and the movie itself is presented like an alternative to a mainstream Hollywood production.

    Todd Louiso, John Cusack, Jack Black try to figure out women in “High Fidelity.”

    No one is better at the staring role than John Cusack, who offers humor and perfectly sharp narration in the role of Rob Gordon. Jack Black brings his obnoxious style of personality and humor to the mix, and the unheralded Todd Louiso is by far the winner when it comes to straight out laughter. Big names like Catherine Zeta-Jones, Sara Gilbert, Tim Robbins, and even Bruce Springsteen add supporting elements.

    “High Fidelity” offers a great trip down memory lane for those of us who wax nostalgia for the 90s, but I felt like the development was a bit slow and the film frankly boring at times. While laughs are in the mix from start to finish, Rob Gordon quickly goes from being a sympathetic character to a jerk once he starts exploring the reasons for his failed relationships.

    Music is the soundtrack to our lives. No matter what the situation or occasion, or major event (good and bad) you are going through, there is always a song or a band or album that will be there to get you through. Most great memories can be triggered by nothing more than a song that was unknowingly accompanying you on the journey.

    “High Fidelity” is a simple romantic comedy that’s just okay. It doesn’t stand out as one may think it should, and ends as a ho-hum also-ran.

    by – Matt DeCristo

    2000 High Fidelity Iben Hjejle jack black John Cusack Todd Louiso
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticlePodcast Ep. 3 – ‘Back to School’ Special; Discussing 3 High School Films
    Next Article Singles (PG-13)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Romance February 24, 2026

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Sisa’ Review: When ‘Madness’ Becomes an Act of Resistance

    By Paul Emmanuel EnicolaMarch 6, 20260

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.