Close Menu
    Facebook X (Twitter) Instagram
    Saturday, March 7
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Action

    Unknown (PG-13)

    Matt DeCristoBy Matt DeCristoAugust 22, 2018No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    The suspense aplenty in “Unknown,” the 2011 action/thriller that stars the action/thriller king, Liam Neeson.

    We have a great setting, gripping suspense, car chases, and of course, Neeson himself, carrying the otherwise lackluster and ordinary movie in a way that only he can. If you’re looking for a simple and exciting thriller on a lazy Friday night, “Unknown” may be right for you.

    Dr. Martin Harris (Neeson) awakens in a hospital bed after 4 days in a coma, the result of  a terrifying and perfectly filmed car accident. Circumstances have brought Dr. Harris to Berlin to be the keynote speaker for a biotech summit, due to announce a major breakthrough – so we have a plot that offers depth and mystery potential.

    While we the viewer can assume something is amiss right from the start, exactly what it is will remain unrevealed until the final minutes of the movie. We do know that Dr. Harris awakens in a foreign city with no identification, no money, and a lost passport. When he manages to find his wife (January Jones) she claims not to recognize him. Whats more troubling is that she is accompanied by another man (Aidan Quinn) who is claiming to be the real Dr. Martin Harris.

    “Unknown” has a great setting – the snowy streets and alleyways of Berlin. The car crash scene at the beginning and subsequent chases through subway tunnels and gritty streets meandering about give the city a life of its own. Berlin is not often used as the setting for a movie (outside of WW2 documentaries) so its nice to see it in a more positive light.

    Liam Neeson is one of my all time favorite actors; he could order toast in a diner and it would be compelling. Like his recent role in “The Commuter,” here he plays a seemingly ordinary guy in lieu of a militant, but still manages to pull off the excitement and fervor. While Dr. Harris’ story sounds crazy to those he tells, various images, such as a watch his wife gifted him, trigger flashbacks. We are left in suspense as to why his wife is aloof to his presence – is something nefarious going on or is it all just the effects of the car crash.

    January Jones is mesmerizing on screen, and while only a secondary character, plays her role well. As Dr. Harris’ seductive young wife, we see a woman who may or may not be holding something back. She pulls off all degrees of range that the character is given. Accompanying Dr. Harris on his adventure is a cab driver named Gina (Diane Kruger) who is equally impressive playing alongside the clear star of the film, Neeson.

    While “Unknown” is a solid action/thriller, its been done before. I like the ultimate plot concept, which you’ll have to watch in its entirety to discover. Its a fun movie but nothing that stands out. Maybe that’s just what you are looking for.

    by – Matt DeCristo

     

     

     

    2011 Diane Kruger January Jones Liam Neeson Unknown
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleFalsified (NR)
    Next Article Eighth Grade (R)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Action February 22, 2026

    ‘Mercy’ Review: Chris Pratt is One Angry Man

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Sisa’ Review: When ‘Madness’ Becomes an Act of Resistance

    By Paul Emmanuel EnicolaMarch 6, 20260

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.