Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Horror

    The Cloverfield Paradox (TV-MA)

    Daniel Prinn By Daniel PrinnFebruary 8, 20181 Comment4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    In a very Cloverfield thing to do, “The Cloverfield Paradox“ had its premiere trailer during the Super Bowl and with literally just that as marketing, Netflix premiered the film as soon as the game was over. It made the film feel like an event, but the way it was released was the only reason – and not the quality of the film.

    The movie’s set in a world on the brink of war, largely caused by a worldwide energy crisis, and brave scientists go to space and test a device called the Shepard Accelerator. It can produce energy or something – the science of the film isn’t explained well.

    The story is somewhat interesting when they test the Accelerator two years into their trip and end up in a different dimension. A major problem of the film is that it’s too pre-occupied with answering questions about the “Cloverfield“ universe and tying it together that screenwriter Oren Uziel (“22 Jump Street“) neglects to offer a plausible explanation for the force that’s being menacing on the ship. He mostly just tries to answer problems with a reply like “this is just because it’s a different dimension.”

    The deaths are entertaining but there are many moments that don’t make sense. Most of the horror scenes are also cliché but add a twist on something old; which is fine because it’s still fun. A lot of it feels like an episode of “The Twilight Zone“ where they just see what bizarre things stick. One hit is a severed arm crawling around like the hand from “The Addams Family“ – it’s entertaining in its ludicrousness and that’s partly why I like the film.

    Though – a big miss is a foosball table where the players spin around aggressively with no one controllingthem. It’s a really cool shot, but if there are no ghosts on the station and they’re not angrily playing a game of foosball, it doesn’t make sense.

    For the formula of horror on a space station, the eight-person crew is over-crowded. John Ortiz’ Monk is so expendable he could have been written out. The cast is led by Gugu Mbatha-Raw who portrays a character named Ava Hamilton, who goes up to the space station to escape trauma of her past – which is like Sandra Bullock’s character in “Gravity.” The other scientists on the trip are given random roles, and most characters are cookie cutter. Daniel Brühl and David Oyelowo are both in leadership roles, but they’re generic.

    Chris O’Dowd is another character that I liked. As a character he’s likable but isn’t well-developed; he’s the film’s comic relief and he gets the funniest lines. It features a good, diverse ensemble cast – and Askel Hennie, Ziyi Zhang and Elizabeth Debicki – are the other cast members portraying clichéd characters not good enough to mention.

    I just think the film’s entertaining and has some heart that comes organically from Ava’s character, and Gugu Mbatha-Raw is great in this. In a decent sub-plot we follow Ava’s husband Michael (Roger Davies) on Earth, which serves to clearly connect the film to the Cloverfield universe. In a way it’s strange that it wouldn’t feel like a Cloverfield movie without this subplot.

    I also mostly liked the film because I didn’t have time to make a lot of expectations from the time Netflix premiered the trailer and then made the film available. But if you’ve been waiting for this since it was announced, it’s likely disappointing, especially since last year’s “Life” is more fun. To me, I didn’t have a lot of expectations and it was refreshing watching it only having seen 30 seconds of a trailer.

    – by Daniel Prinn

    Cloverfield Daniel Brühl David Oyelowo Gugu Mbatha-Raw sci fi space dimension The Cloverfield Paradox
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleThe Internship (PG-13)
    Next Article The 15:17 to Paris (PG-13)
    Daniel Prinn
    • Website
    • X (Twitter)

    Daniel is a lover of cinema and looks at the cast, characters, and how well a movie executes the genre. Daniel also looks at the plot and his level of enjoyment. He tries to be fair to a movie’s audience, even if a particular film isn’t his cup of tea. In addition to writing for "The Movie Buff," Daniel has been writing theatrical reviews for his own blog at “Filmcraziest.com."

    Related Posts

    Black Comedy June 16, 2025

    ‘Sister Midnight’ Review: Sapped of All Energy, a Defiant Domestic Goddess Bites Back

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    Movie Review June 10, 2025

    ‘The Day After’ Review: Epic TV Movie Demonstrates the 80s Don’t Hold Punches

    Movie Review June 9, 2025

    ‘High School U.S.A.’ Review: Old World Made for TV Comedy

    1 Comment

    1. Ludwig on February 17, 2018 1:56 PM

      This film lacks depth, sir. I found it dull and uninspired. The original is far superior.

      Reply
    Leave A Reply Cancel Reply

    Latest Posts

    ‘Sister Midnight’ Review: Sapped of All Energy, a Defiant Domestic Goddess Bites Back

    By Vidal DcostaJune 16, 20250

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Sister Midnight’ Review: Sapped of All Energy, a Defiant Domestic Goddess Bites Back

    By Vidal DcostaJune 16, 20250

    Trapped in a loveless marriage and repulsed by the repetitive need to conform, Uma (Radhika…

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.