Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Thriller

    Angel Heart (R)

    Matt DeCristoBy Matt DeCristoJuly 8, 2017No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    A little horror and a lot supernatural thriller, the 1987 Alan Parker neo-noir styled film “Angel Heart” is a psychological adventure that mirrors the Kubrick classic “The Shining” with its bizarre visuals and offbeat characters – but what would you expect from an English born filmmaker whose directorial resume includes Pink Floyd’s ‘The Wall.’

    Based on the William Hjortsberg’s 1978 novel ‘Falling Angel’, “Angel Heart” stars Mickey Rourke as Private Investigator Harry Angel, a typical Brooklyn based gumshoe who looks just as sleazy as the lowlifes he’s tasked with tracking, perfectly evidence in one scene where Harry lights a match for his cigarette off the shoe worn by a corpse. Whenever Harry displays irksome behavior, he replies with the only logical explanation he has. “I’m from Brooklyn.”

    Its 1955 and the backdrop of New York City is perfect as such. Particular attention is paid to Harry’s feet tramping through the slushy streets and its a perfect compliment to the atmosphere. 1950’s New York is the choice time period for stories, and its well known as the genesis of the detective comics. The movie itself plays out in the same style as a graphic novel from the era.

    Rourke was a Hollywood stud in the 1980s, and like his appearance in “The Pope of Greenwich Village”  is nearly unrecognizable compared to today’s version. Rourke has a Bruce Willis style and plays the role of Harry Angel with a devotion that could pit it as one of his unquestionable best roles.

    Whats I love about “Angel Heart” is that its protagonist is in every single scene and frame of the movie. As we follow Harry Angel’s investigation, we feel as though we are right along for the ride, experiencing what he experiences – including strange hallucinogenic visions and haunting percussion that sounds like a heartbeat dispersed throughout, courtesy of a phenomenal score produced by South African composer Trevor Jones.

    Harry’s assignment comes courtesy of an ominous client named Louis Cyphre, played perfectly by the great Robert De Niro. Cyphre has employed Harry Angel to track Johnny Favorite, a man who skipped town without repaying a debt. With his dark goatee, razor filed fingernails, and sinister cane, its apparent Louis Cyphre is more than just a regular customer, and the ultimate charade is on.

    “Angel Heart” has a great dialogue, specifically the handful of interactions between Rourke and De Niro which, though simple conversation, you cant look away. Rourke is wonderful as a hired investigator, tracking Johnny Favorite and stumbling across a series of brutal murders in the process. De Niro is awesome in just a handful of scenes as the ominous Louis Cyphre, overseeing the pursuit of a man who has wronged him.

    Certain scenes are truly divine horror gems, though the majority of the film is a mystery enhanced thriller as Harry travels to the bowels of New Orleans and uncovers a ritualistic hoodoo voodoo cult.

    Supporting cast members include Lisa Bonet who stumbled upon her own notorious controversy while filming a brutal sex scene – a stark contrast to her beloved role at the time as Denise Huxtable on ‘The Cosby Show.’

    “Angel Heart”has a great ‘Twilight Zone’ style premise and twist ending. Its odd in a good way, and an interesting movie to watch.

    by – Matt Christopher

    1987 Angel Heart Lisa Bonet Mickey Rourke Robert De Niro
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous Article21 Jump Street (R)
    Next Article Daybreakers (R)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Horror February 28, 2026

    Why Do We Keep Returning to the ‘Scream’ Films?

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Comments are closed.

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.