Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Horror

    Oculus (R)

    Matt DeCristo By Matt DeCristoOctober 14, 2015No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    A damaged Netflix disc on a Friday night in early October led me to alternative scares and the 2013 Mark Flanagan horror piece “Oculus.”

    At a taut 90 minutes, my initial fears were the youthful cast and unheard of creator would lead to the standard terrible present day slasher fest, but surprisingly I was wrong.

    “Oculus” focuses its premise on a haunted antique mirror that has been wreaking havoc and causing the mysterious deaths of whoever owns it for hundreds of years.

    Tim Russell (Brenton Thwaites) is finally set to be discharged from a mental hospital, one he has resided in for the past 11 years after his experience with some horrific events at home when he was just 10 years old.

    Tim has always been close with his older sister Kaylie (Karen Gillan) and she is eagerly waiting for him upon his discharge. Through flashbacks we see the pair 11 years ago as they move into a new house with their parents.

    Father Alan (Rory Cochran of CSI Miami fame) is a telecommuting IT worker and mother Marie (Sci Fi star Katee Sackhoff) is a rabid collector of antiques – the catalyst for the mirror being purchased and brought into the home.

    oc2Blending elements of scary movie great “The Shining” and the grisly television series “American Horror Story,” “Oculus” possesses haunted house themed plot limited to a single room where the mirror resides. Plants die inexplicably in said room. The mirror reflects images of people and events that aren’t actually there.

    “Oculus” is a horror movie, and makes no effort at being anything else – and the viewer is all the better for it. Sometimes you want deep thought, tear-jerking emotion, or a dazzling performance. Sometimes you just want a good fun scare, and on that level the movie succeeds.

    Karen Gillan is great in the role of Kaylie. Beautiful and determined to prove that the mirror is otherworldly in its powers. One scene shows Kaylie dictating to a video camera the history of the terrible deaths that she believes to have been caused by the mirror, and the acting is stellar.

    Brenton Thwaites is good as the Doubting Thomas little brother Tim, a perfect counterbalance to the tenacious Kaylie. “What’s more likely…that your misremembering events from 11 years ago or that the mirror eats dogs?” He sarcastically quips at his sister, when discussing the unexplained disappearance of the family dog when they were children – last heard barking in the room with the mirror.

    oc3Fans of CSI Miami will recognize Rory Cochrane, who played Tim Speedle in the first few seasons of the show. The character was voluntarily killed off because Cochrane wanted to focus on his real life family. Cochrane is a solid actor – terrific at the role of an everyman, and displays a hidden talent for going berserk as he does in “Oculus.”

    Katee Sackhoff has made herself a steady career on Sci-Fi shows Battlestar Galactica and Bionic Woman. Sackhoff is great as the Russell family matriarch. Loving mother and dutiful wife. A woman plagued by her imperfections, and constantly reminded of an obese past by a scar across her belly.

    One area that gets a bit confusing is the constant switching of storylines between the siblings as children in 2002 and the present day. Towards the end, the last handful of scenes are literal head scratchers as the story jumps back and forth as the family runs about the same house with the same haunts. The difference between present and past and blurry and as a result, a bit confusing.

    As horror goes, “Oculus” is a winner. The premise of a haunted antique mirror is a good one. Creepy reflections, fast paced, and not over the top with gore, its a decent movie worth checking out.

    by – Matt Christopher

    2013 31 days of halloween Brenton Thwaites Karen Gillan Oculus
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleEraserhead (NR)
    Next Article Rosemary’s Baby (R)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama June 16, 2025

    ‘Happy Birthday’ Tribeca Review: A Beautifully Grounded Portrait of Classism, Labor, and Girlhood

    Black Comedy June 16, 2025

    ‘Sister Midnight’ Review: Sapped of All Energy, a Defiant Domestic Goddess Bites Back

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    Movie Review June 10, 2025

    ‘The Day After’ Review: Epic TV Movie Demonstrates the 80s Don’t Hold Punches

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Happy Birthday’ Tribeca Review: A Beautifully Grounded Portrait of Classism, Labor, and Girlhood

    By Paul Emmanuel EnicolaJune 16, 20250

    ‘Sister Midnight’ Review: Sapped of All Energy, a Defiant Domestic Goddess Bites Back

    By Vidal DcostaJune 16, 20250

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Sister Midnight’ Review: Sapped of All Energy, a Defiant Domestic Goddess Bites Back

    By Vidal DcostaJune 16, 20250

    Trapped in a loveless marriage and repulsed by the repetitive need to conform, Uma (Radhika…

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.