Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Drama

    Mississippi Grind (R)

    Guest WriterBy Guest WriterSeptember 12, 2015No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    While the name Ben Mendelsohn may not sound familiar to all American audiences, this Australian actor will soon be a household name with his strong list of upcoming films. Besides being cast in the upcoming “Star Wars: Rogue One” stand-alone film, being nominated for an Emmy for his role in the Netflix hit “Bloodlines,” and starring in “The Dark Knight Rises,” Mendelsohn is now showing off some real acting chops alongside Ryan Reynolds. “Mississippi Grind” is the latest film from indie filmmakers Ryan Fleck and Anna Boden which follows a couple gamblers on their way to a big payday. Instead of taking the easy road, Fleck and Boden take the path less traveled and focus more on character development and texture than the actual gambling.

    Gerry is an old dog. He knows his way around a deck of cards and has used that talent to make his way through many casinos and bars in his day. The shaggy appearance and aged look lend to the great performance from Mendelsohn in bringing this well-seasoned gambler to life. While trying to find a table that is calling out to him, Gerry stumbles across his newest good luck charm – a young, slick player named Curtis. Unlike Gerry, Curtis is fresher but still knows his way around the gambling scene. Reynolds does what he does best, and plays the suave Curtis as the mysterious wreck he is.

    grind1

    The film follows Gerry and Curtis as they travel to New Orleans for a big-stakes card game. Along the way, the pair must gamble and bet their way to obtain the $25,000 entry fee. If this sounds like well-worn territory, that’s because it is. The down-and-out gamblers seeking fame and fortune with one last big score, and the inevitable road trip that ensues, has been done to death. That’s why Fleck and Boden don’t focus on the used up aspects of the genre. This is where the filmmakers, as well as the film itself, show their real flair.

    As we ride along with Gerry and Curtis, we learn more about them, their addictions, and their histories than we do about the big game in New Orleans. Stops along the way feature dark, deserted towns that seem to match the insides of our heroes. Besides cards, these two men must help one another settle old scores with exes and attempt to put their past to rest.

    Ryan Fleck and Anna Boden built their careers on the Sundance favorite “Half Nelson” starring Ryan Gosling. The film featured Gosling as a teacher with a drug habit that becomes friends with a student after his secret is found out. Much like “Mississippi Grind,” the filmmakers worked within a well-worn genre, yet managed to flip it on its head. This has been both their gift, and their curse, for their short careers thus far.

    mississippi-grind-670There is a sense of predictability with “Mississippi Grind” that allows us to feel safe and comfortable in a genre we know and love. But Fleck and Boden’s ability to expand upon an exhausted storyline within these familiar confines keeps us gripped to our seats, even though the pacing of the film calls for a great deal of patience at times. For Mississippi Grind, it truly is the journey that matters, not the destination.

    “Mississippi Grind” opens September 25th, in theaters nationwide. Thanks to a collaboration between A24 and DTV, “Mississippi Grind“ is available on demand through DirecTV now before its theatrical debut later this month.

    – by Brittni Williams

    Anna Boden gambling Mississippi Grind New Orleans Ryan Fleck Ryan Reynolds
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleBlack Sea (R)
    Next Article Wild Horses (R)
    Guest Writer

    The Movie Buff is pleased to feature guest writers who have reviews or articles to share! If you're interested in submitting a piece to us, email us at submissions@themoviebuff.net or use the contact us tab at the top of the page.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Romance February 24, 2026

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.