Close Menu
    Facebook X (Twitter) Instagram
    Tuesday, July 21
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Media Partners
      • Terms of Use
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Movie Review

    Review: ‘The Shout’ Should be Renamed The Snooze

    Matt DeCristoBy Matt DeCristoOctober 7, 2024No Comments2 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    The Shout
    Share
    Facebook Twitter Email Copy Link

    “The Shout” may be the longest 87 minutes you will ever experience on film. And 5 minutes of that total time belong to the opening credits.

    This 1978 British horror film was directed by Jerzy Skolimowski and based on a short story by Robert Graves. It was notable to me for featuring two young actors; John Hurt and Tim Curry, both of which would go on to the horror hall of fame.

    Nice Setting

    The movie opens with a rainy English countryside and I’m always down for that. Crossley (Alan Bates) comes upon a rural house owned by Rachel and Anthony Fielding (Susannah York and John Hurt). Anthony is a composer, and tricks with sound play a factor in his life and the story. Crossley reveals he has a supernatural ability. He can shout in such a way that kills anyone who hears it. Sure.

    John Hurt in “The Shout” (Photo: The Rank Organisation, 1978).

    One can tell director Jerzy Skolimowski was taking a stab at being artsy. There are long and drawn shots that replicate isolation and embody an uncanny state. Cool angles and closeups frame characters in such a way that the visuals are appealing.

    The inclusion of the sounds of a peacock call are naturally chilling. “The soul is imprisoned in the body until death liberates it.” Lines like that are sublime. And any horror produced in the 1970s is unintentionally spooky in its own low-quality way.

    Yawn

    The problem is “The Shout” so boring and so slow, I was lost 20 minutes in. Despite seeing Tim Curry as a 32-year-old, and John Hurt in a pre-Alien performance, I was so bored I couldn’t concentrate.

    Tim Curry in “The Shout” (Photo: The Rank Organisation, 1978).

    Lots of talking. Not a lot of scares. Nothing interesting. And it’s barely 80 minutes long.

    I’m not sure why “The Shout” was on my radar but it’s a definite miss.

     

     

     

     

     

    1970s horror Jerzy Skolimowski John Hurt thriller Tim Curry
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous Article‘500 Days of Summer’ Review: The Wistful Yet Gritty and Real Romance Turns 15, Still Holding Up Over the Years
    Next Article ‘Maria’ NYFF 2024 review: A Dimmed, Occasionally Electric La Callas
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Independent July 12, 2026

    Indie Interviews: In Conversation with Ari Groobman on His Short Horror Thriller, ‘Projection’

    Horror July 7, 2026

    ‘Leviticus’ Review: When the Monster Has the Face of What—and Who—You Want

    Dark Comedy June 2, 2026

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Gail Daughtry and the Celebrity Sex Pass’ Review — The Funniest Movie Since Last Year’s ‘The Naked Gun’

    By Nathan FlynnJuly 20, 20260

    ‘Drop’ Review: Thriller Ripe with Plotholes yet Painfully Addicting

    By Matt DeCristoJuly 20, 20260

    ‘Sneakers’ Review: Star Packed Cast Delivers a Lesson in Acting in this ’90s Comedy Caper

    By Matt DeCristoJuly 19, 20260

    ‘Short Cuts’ Review: Ensemble Cast, Dozens of Characters, Numerous Stories Comprise Robert Altman’s Indie Dramedy  

    By Matt DeCristoJuly 18, 20260
    Follow Us
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    • Bluesky
    Bollywood
    Superhero

    ‘The Great Grand Superhero’ is More Effective than ‘The Happening’ in Promoting Green Living

    By Vidal DcostaJune 23, 20260

    In a bid to feel less alienated at his new school, Dipu (Mihir Godbole) cooks…

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.