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    Review: ‘Prey’ is a Superior ‘Predator’ Prequel Set in the 1700s

    Kevin Clark By Kevin ClarkAugust 11, 2022No Comments3 Mins Read
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    Prey
    Amber Midthunder stars in "Prey." (Photo: 20th Century Studios).
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    “Prey,” the newest “Predator” prequel, directed by Dan Trachtenberg (who also directed 2016’s “10 Cloverfield Lane”), jettisons the pomp and circumstance of other “Predator” films. It brings us a stripped-down, brutal 100-minute film that’s on par with the first film in the series. 

    The first “Predator” debuted in the height of the 1980s, when huge guns and bigger biceps were all the rage. Screens dripped with sweat and fury.

    Who can forget the scene where Arnold Schwarzenegger’s character Dutch and Carl Weathers’ character Dillon greet each other with a big meaty handgrip? There’s so much testosterone in that scene alone, any women sitting in the first three rows of the theater instantly got pregnant from it.

    A Film on Par with the First One

    “Prey” feels very much like the original film, though this time it’s set in the 1700s. Naru (played by Amber Midthunder) is a young Comanche female who resents that the males in the tribe, including her brother Taabe (played by Dakota Beavers), get to go hunting and fight while she has to stay with the females of the tribe and cook and clean. She feels women can hunt just as well, and she’s determined to prove it. She breaks the tribal rules and heads out to complete a coming-of-age hunting ritual reserved for the men, and through the course of the film has to battle lecherous French trappers as well as the titular Predator.

    Naru is written wonderfully. She’s a complex character and not the invincible warrior that Schwarzenegger was in the original film. She makes big mistakes and gets injured, but uses wits and observation to gauge the Predator’s weaknesses. When everyone runs at the Predator, wanting to be the warrior that kills it, Naru stays on the defensive and watches it. It’s fun watching her stalk the Predator as much as it’s stalking everyone else. We also get to see the evolution of her weaponry. At one point in the film, she creates a new weapon that comes in handy late in the film when she faces off with a group of French trappers.

    Prey
    Special effects and a stalking formula make “Prey” hold up to the first one. (Photo: 20th Century Studios).

    A Movie that Deserved an IMAX Screen

    Naru’s brother Taabe (Dakota Beavers) is also well written. Usually in a story like this, the brother would either be totally feckless or a tough, arrogant bully that Naru would have to stand up to. But Taabe is supportive of her and even helps her on her hunting quest, much to the chagrin of the other men in the tribe.

    The film doesn’t hold back on the gore and violence. It’s a hard-R, as the Predator mows through people and animals alike. Some scenes make the ‘Crazy 88’ fight scene in “Kill Bill” look like “Paddington Bear” by comparison.  In one scene, the Predator fights a huge grizzly bear, and though the CGI bear looks a bit fake at times, the fight is still visceral, furious, and drenched in blood. It made me wish I could see it on an IMAX movie screen, with the booming sound and colossal screen.

    I hope there’s a sequel to this film, I’d love to see Naru continue on. As great as the film is, I have high hopes a continuation will be forthcoming.

     

     

     

     

    “Prey” is currently available to watch on Hulu, Disney+, and ESPN+. 

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    Amber Midthunder Comanche Dakota Beavers horror Indigenous peoples Predator Prey streaming
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    Kevin Clark

    Kevin became a film addict as a teenager and hasn't looked back since. When not voraciously reading film analysis and searching for that next great film, he enjoys hiking and listening to surf music. If he had a time machine, he'd have the greatest lunch conversation ever with Katharine Hepburn and Tallulah Bankhead. You can also find Kevin writing comic/graphic novel reviews over at The Comic Book Dispatch.

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