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    New York Indian Film Festival Review: The Mind-bending Short ‘Kiss’ Offers Squeamish Insight into Censorship and the Conservative Mindset

    Vidal DcostaBy Vidal DcostaMay 16, 2022No Comments3 Mins Read
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    Kiss
    Adarsh Gourav in a scene from "Kiss" playing at the New York Indian Film Festival. (Photo credit: NYIFF).
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    A young filmmaker invites two older gentlemen to an ancient movie theatre for a preview screening of his new sci-fi movie that features scenes of homoeroticism. Unbeknownst to the trio, they have just entered a special kind of theatre; it forces viewers to confront their past and prejudices in order to accept the present. Post screening, both men—who are censor board officials—demand the filmmaker cut back the run-time on a kissing scene between two male actors. They feel it is “far too long.”

    Confident in his creation, the filmmaker rejects their claims and states they should instead sit down together for a rewatch. He also suggests they each use their own phones/wrist watches to time the scene in order to resolve the issue. What follows is a bizarre and compelling tale of how conservative attitudes hold back progress in a developing country. The film highlights the conflicting ideologies of the older, conservative generation and the more progressive youth.

    A Strong Directorial Debut from Varun Grover

    “Kiss” is the directorial debut of Indian screenwriter Varun Grover, and it is an eye opener of a short film. It delves into the dated perspectives of people such as the two censor board officials, who immediately squirm at the very idea of homosexuality shown on-screen.

    As the film’s producer is filmmaker Anurag Kashyap—who has also had his fair share of run-ins with the Indian censor board—it is only apt this short film should also touch upon the issue of censorship. This very issue has led to filmmakers losing out on their creativity, authenticity, and freedom in exploring topics deemed as ‘taboo’ by society.

    The film addresses the redundant worldviews that act as dampeners on one’s creative spirit/vision.”

    The concept of a movie theatre that forces audiences to face their fears and dated worldviews also translates well on-screen; although I must admit that certain scenes prove to be head scratchers, and it might be wise to watch the film more than just once. The production design further adds to the eery atmosphere of this psychological thriller.

    Kiss
    Swanand Kirkire and Shubhrajyoti Barat in “KIss.” (Photo credit: NYIFF).

    An Innovative Concept that Leaves Much to Think About

    The only shortcoming of the movie is that as a first time director, Grover isn’t able to milk the talents of his cast, comprising of Adarsh Gourav, Swanand Kirkire, Shubhrajyoti Barat, Chetan Sharma, and Ashwath Bhatt to their fullest. This results in rather monotonous performances that are not entirely convincing.

    Despite these flaws in direction, “Kiss” still excels at being a unique watch. It brings an innovative concept to its viewers, as well being ambitious in depicting the barrier of censorship. The film addresses the redundant worldviews that act as dampeners on one’s creative spirit/vision; these cause setbacks for emerging creatives who wish to produce meaningful works that challenge this very mindset.

     

     

     

     

    “Kiss” was reviewed as part of our continuing coverage of the New York Indian Film Festival. 

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    bizarre censorship cinema conservative homosexuality ideologies Indian film Kiss Magical realism New York Indian Film Festival progressive taboo
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    Previous ArticleReview: From a Manga by Kyoko Okazaki Comes ‘Helter Skelter,’ a Visceral Indictment of the Beauty Industry
    Next Article New York Indian Film Festival Review: ‘Live and Love Fearlessly and Freely’—the Message Behind Wholesome Short Film ‘My Mother’s Girlfriend’
    Vidal Dcosta
    • Website

    Vidal is a self published author on Amazon in sci-fi and romance and also has her own blog. She is a movie buff and also contributes TV show and movie reviews to 'Movie Boozer.' Vidal also writes short stories and scripts for short films and plays on 'Script Revolution' and is an aspiring screenwriter.

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