Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Amazon

    Review: ‘Jolt’ a Mishmash of Genres, and Ultimately a Letdown of an Action Film


    Hector GonzalezBy Hector GonzalezJuly 26, 2021No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Jolt
    Kate Beckinsale in "Jolt." Photo: Simon Varsano/Jolt Productions, Inc. (2020).
    Share
    Facebook Twitter Email Copy Link

    “Jolt” is currently available to watch via Prime Video. 

    Tanya Wexler is a director who is mostly known “Hysteria,” her 2011 feature. I recognize her by the movie she made last year, “Buffaloed,” which had a good central performance by Zoey Deutch and its premise was quite witty and enjoyable; it left me interested in what Wexler had to offer next. Now, she teams up with Amazon to deliver the Kate Beckinsale-led movie, “Jolt.” Unfortunately, the flick is a letdown; it lacks in every aspect possible, most especially its appalling script, and deciding for yourself what was the film trying to be.

    Lindy (Beckinsale) is a sardonically funny woman who was an electrifying “secret:” she suffers from a rare mental health disorder called an Intermittent Explosive Disorder. Because of that condition, she experiences seething murderous impulses. The only way to stop these impulses is a shock she must cause with an electrode device. After years of trying to find love and some intimate connection, she finally meets a man. They go on a couple of dates, only for her to find out the next day that he has been murdered. Lindy now embarks on a retribution-seeking mission to find the killer of her lover; all the while, the police chase her, as they accuse her of being the prime suspect.

    “Jolt” starts with a 5-minute explanation of what is “wrong” with the lead character, her condition, and the reason why she uses a sort of jolt as a reboot system to control her angst. The explanation itself is rushed; it doesn’t go into deeper details, because that is the reason for a story arc. What is the problem? The narrative and script are horrible. From a lobster and cockroach parable to jokes like “Did your mouth just fart?,” you start to lose patience with the film quickly. You are constantly questioning the film; this is a clear indication that an action film is not doing what its job well. And we are not going to talk about the headache-inducing obvious plot twist.

    By the looks of it (script aside), “Jolt” feels like a neon version of “Crank: High Voltage” (2009). Here, instead of having Jason Statham operating his battery heart, we have Kate Beckinsale controlling her rage via shocks while she kicks ass and breaks faces. We get that in this film to an extent but in a non-entertaining or engaging manner. The “action” set-pieces are chaotic, filmed with a sense of pure rush for some reason; and even with those scenes going 1000-miles per hour, the film still manages to drag. It takes too long for it to go on. The film carries on for more than 30 minutes without excitement; and when something exciting does happen, it is a dull car chase sequence alongside “Tokyo Drift”-esque techno music and bad visual effects.

    Jolt
    Beckinsale plays a “Crank”-esque heroine in “Jolt.” Photo: Simon Varsano/Jolt Productions, Inc. (2020).

    Kate Beckinsale is mostly known for her badass role as Selene in the “Underworld” franchise and “Van Helsing” (2004), so we already know she can bring some edge and wit that an action movie lead needs. However, the film writes her character so poorly that we lack a reason to care for her. The film doesn’t explore her character in any means. We know her condition fills her with angst, which is why she resolves all her conversations with a threat. It is entertaining seeing Beckinsale have fun with the role, but it gets tiresome seeing her act in that way for the film’s entirety.

    At first glance, you could see how this had the potential to be fun. But after seeing the film in its entirety, it is a letdown. Not only is it boring, but it is not even funny nor thrilling. It doesn’t even know what it is. It is a disarray of all genres imaginable; action, thriller, romance, adventure, and comedy all blended up in a severely aching mishmash with no logic whatsoever. It even has the desire to keep going as by the end it hints at a sequel; and to be frank, I hope we don’t get to see it. “Jolt” could have been an electrifying fun movie; however, it aches and drags for so long that it just isn’t enjoyable.

     

     

     

     

    action Amazon Crank Jai Courtney Jolt Kate Beckinsale Laverne Cox rage Stanley Tucci Susan Sarandon Tanya Wexler
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘Covidream’ an Illusory yet Insightful Look at the Paranoia and Lasting Effects of Covid-19
    Next Article Exclusive Interview: In Conversation with Pierre Glénat, Writer and Co-Director of the Short Film ‘Covidream’
    Hector Gonzalez
    • Website
    • X (Twitter)
    • Instagram

    Hector Gonzalez is a Puerto Rican, Tomatometer-Approved film critic and the Co-founder of the PRCA, as well as a member of OFTA and PIFC. He is currently interested in the modern reassessment of Gridnhouse cinema, the portrayal of mental health in film, and everything horror. You can follow him on Instagram @hectorhareviews and Twitter @hector__ha.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Action February 22, 2026

    ‘Mercy’ Review: Chris Pratt is One Angry Man

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.