Close Menu
    Facebook X (Twitter) Instagram
    Wednesday, October 21
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Media Partners
      • Terms of Use
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    12 Days of Christmas

    Review: ‘Holidate’ a Failed Attempt at Being Funny

    Matt DeCristoBy Matt DeCristoNovember 28, 2020No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    What it lacks in sweet sentimentality it surely makes up for in raunchy filth. The 2020 Netflix original film “Holidate” stars Emma Roberts and Luke Bracey as a pair of overly attractive highly unlikeable singles who agree to be each other’s dates for an entire calendar year of holiday obligations.

    “Holidate” opens with some promise. The opening scene shows Sloane (Roberts) smoking a cigarette on her mother’s front porch as she laments going inside for Christmas dinner. “Fucking holidays.” She utters – the opening words of the film. No, this one isn’t suitable for children.

    Emma Roberts and Luke Bracey get drunk on St Pattys Day

    We quickly get the picture that Sloane is the only single person in her family and therefore hates being around her own kin. The character of Sloane is one we get in a lot of movies of this genre. She’s really pretty and single, and surrounded by friends and family members who are in seemingly perfect relationships. Her mother in particular is comically overbearing in wanting Sloane to find a partner, even though her daughter seems content with her life.

    Jackson (Bracey) is a single guy who loves hooking up with as many women as he can, and the dialogue from his initial sequence holds no punches – again, this gem isn’t for conservative ears. Jackson is a smarmy looking guy who partners with Sloan for a non-committal relationship. Their chemistry on screen is nothing more than a pair of hired models who have no organic cohesion. We know right from the start that they will fall for each other at some point, but by the end, you won’t even care.

    Emma Roberts and Luke Bracey get drunk at…something

    I like the setting of Chicago, and the entire year of “holidates” they attend is unique but it pulls the Christmas feeling away for the most part. One “hysterical” interaction is a July 4th party in which Jackson literally blows one of his fingers off with a firework. It’s not funny at all.

    Missed jokes aside, the downfall is the complete hatred of virtually every character involved. From Sloan’s promiscuous Aunt Susan (Kristin Chenoweth) to her sister Abby (Jessica Capshaw) who openly cheats on her husband and in a barrel full of laughs moment smokes a joint from behind the wheel of her SUV (I mean, who doesn’t find DUI’s hilarious). At one point a character (It was so bad I don’t even recall which one) gives advice of “always date down” – meaning never date someone who is equally or more attractive than you are because they will certainly find someone better at some point.

    “Holidate” will give you no sense of warmth, joy, or hope. It’s an awful movie that tries to be more funny than sentimental and fails at doing that too.

     

     

     

     

    Emma Roberts Holidate netflix
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous Article7 Film Adaptions of Successful Video Game Franchises (and where to watch them currently)
    Next Article Review: ‘Vanguard’ Far From Chan’s Early Work, but a Passable Popcorn Flick
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Netflix September 24, 2026

    ‘Monster: The Lizzie Borden Story’ Takes a Little Too Much Creative License this Time Around

    Netflix April 22, 2026

    ‘Beef’ Season 2 is a Binge-worthy Followup but Some Elements Feel Rushed and Underdeveloped

    Documentary December 26, 2025

    ‘Cover-Up’ Review: A Muckraker’s Life

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Lake Placid’ is More Fun than Scary but Still Makes for Good Halloween Viewing

    By Mark ZiobroOctober 21, 20260

    ‘In the Mouth of Madness’ Review: John Carpenter’s Lovecraftian Horror Fumbles, despite Intriguing Plot and the Great Sam Neill

    By Matt DeCristoOctober 21, 20260

    ‘Jeepers Creepers’ is a One-of-a-Kind Film that Bypasses the Usual Horror Tropes

    By Montearo BrownOctober 20, 20260

    Beyond the Archetype: a Look at the Characters Immortalized by the Late Nana Patekar

    By Vidal DcostaOctober 20, 20260
    Follow Us
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    • Bluesky
    • LinkedIn
    Bollywood
    Tribute

    Beyond the Archetype: a Look at the Characters Immortalized by the Late Nana Patekar

    By Vidal DcostaOctober 20, 20260

    A regular fixture and familiar face in cinema and stage, versatile actor Nana Patekar passed…

    An Unusual Ghost Story, ‘Phillauri’ is Bollywood’s Answer to ‘Corpse Bride’

    By Vidal DcostaSeptember 20, 20260

    ‘The Great Grand Superhero’ is More Effective than ‘The Happening’ in Promoting Green Living

    By Vidal DcostaJune 23, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.