Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Action

    Patriot’s Day (R)

    Matt DeCristoBy Matt DeCristoDecember 29, 2018No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    “Patriot’s Day” perfectly embodies the horrors of the April 15, 2013 Boston Marathon bombing, along with the unparalleled beauty, pride, and strength of the city of Boston

    Opening with an introduction to an ensemble of characters in the hours leading up to the race, we get an inside feel of just some of the people affected by the tragedy. Racers and non-racers, students and families, cops and the perpetrators of the heinous act.

    Boston has been represented in many films such as “Gone Baby Gone,” “Mystic River,” and “The Boondock Saints.” “Patriot’s Day” is no exception in its unique way of making Boston a character in the film itself. It’s amazing to watch as the giant metropolis reveals itself to be nothing more than a handful of diverse, eclectic, and proud neighborhoods in a way unlike any other city. I don’t live there, but it’s exactly how I picture the heart of Boston to be.

    Dorchester native Mark Wahlberg co-produced the movie and stars as Boston Police Department Sergeant Tommy Saunders, a typical neighborhood cop who loves his city. We can tell right away Wahlberg has an actual connection as his emotions shine through in a way that lets you know he was personally affected by the bombings. One great scene depicts Saunders assisting the FBI with his intricate knowledge of the streets, nooks, and alleys of the city, and it’s the type of thing that simply couldn’t be replicated by just any actor.  

    Wahlberg is joined by a cast of top notch talent. John Goodman plays Boston Police Commissioner Ed Davis and proves he is one of the most underrated actors of our era. We see Davis butt heads with the lead FBI Agent (Kevin Bacon) right from the jump as the warmth of the city of Boston clashes with the cold and abrasive nature of the feds. Bacon too is excellent with his character, an outsider who must maintain his professionalism amidst a horde of locals that want blood. “The moment we label the term terrorism, everything changes.” He explains. “It’s not about Boston anymore.”   

    The cast is completed with one of my new favorite actors, Alex Wolff, who was the lone bright spot in the abysmal “Hereditary.” Here, Wolff plays one of the bombers and is a seemingly perfect choice with his laid back demeanor and uncanny physical resemblance to the actual person. The great J.K. Simmons and the beautiful Michelle Monaghan are perfect ancillary characters.

    “Patriot’s Day” infuses actual footage from the event, including the explosions themselves which come in such a shocking way you’ll feel as though you were standing amidst the chaos. The race opens with a moment of silence for the then-recent victims of the Sandy Hook school shooting, and as such you understand the historic tones that are about to unfold.

    The bombings and ensuing manhunt are thrilling to say the least, culminating in an epic shootout with the cops and perps that couldn’t be scripted. If you tried to pass it off as fiction, no one would believe you.

    “Patriot’s Day” is an excellent movie. Its historical perspective makes it an educational piece, and its gripping plot keeps you riveted from start to finish.

    by – Matt DeCristo

    J.K. Simmons John Goodman Kevin Bacon Mark Wahlberg Michelle Monaghan Patriot's Day
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: Climbing Without a Rope: ‘Free Solo’ Excels as an Adventure-Filled Documentary
    Next Article Mary Poppins Returns (PG)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Romance February 24, 2026

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.