Close Menu
    Facebook X (Twitter) Instagram
    Tuesday, July 21
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Media Partners
      • Terms of Use
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Drama

    Top Gun (PG)

    Mark ZiobroBy Mark ZiobroNovember 25, 2016No Comments5 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    “Top Gun” is the story of a hotshot Navy pilot, and it’s a love story. Starring Tom Cruise, the movie is heralded as a penultimate ‘80s classic, with a soundtrack and cast alongside it. While the movie has its exciting sequences (most featuring military fighter planes engaging in various death-defying stunts throughout), the film is laggy in places, even somewhat boring in others, and wraps itself up in a too-familiar way. If you can look past all that, and past its thin script, viewers will still find and entertaining picture and a good way to pass an hour and 50 minutes. 

    “Top Gun” stars Tom Cruise. He here plays ace pilot ‘Maverick’ — no one goes by their real name in this movie it seems. Alongside Maverick we also have Goose (Anthony Edwards), Iceman (Val Kilmer) and Viper (Tom Skerritt).

    Classic ’80s Action

    The film’s beginning shows us what kind of man Maverick is. He’s cocksure and daring, breaking his orders to confront an enemy Russian fighter jet (called a MiG), before flipping the Russian pilot the bird. He’s also caring, as we see him risk running out of fuel himself to rescue his friend Cougar (John Stockwell), after he experiences some shock mid air. But with Cougar out of the Air Force due to this, Maverick and Goose are chosen to go to ‘Top Gun’ — an elite pilot training school that specializes in air-to-air combat.

    This is the basic plot of “Top Gun” — minus a few necessities, such as a rival pilot in the name of Iceman, and a love interest in one of the school’s instructors, played by Kelly McGillis. The point of “Top Gun” is to stack it with young talent, insert a lot of machismo and one-liners, and let audiences enjoy the ride.

    The problem is it doesn’t always work. It’s difficult at times to pick apart what drags the film down and what doesn’t. Is it the acting? Not really. Cruise does a good job playing Maverick, and fills his shoes easily. While not as captivating as Cruise’s other portrayal of an officer (“A Few Good Men”), Maverick is engaging enough to keep our attention. Alongside him, Anthony Edwards is also pretty solid, and puts in a good portrayal that in no way hints of his reserved Mark Greene from TV.s’ “ER.” Throw in a couple of officers, played by the aforementioned Skerritt and Michael Ironside, and the film’s talent-tool is stacked up pretty well.

    Thinly Painted Characters Aside from Maverick

    Top Gun
    Tom Cruise and Kelly McGillis in “Top Gun.” (Photo: Paramount Pictures, 1986).

    Kilmer’s a problem. Acting wise, he’s fine, but the script paints him so thin there’s not room for him to do much. He fights with Maverick at the school because the script declares he must — there’s no heart in it for him. Likewise, Kelly McGillis is painted just as thin — there’s not much backstory to flesh out her character, and no real reason for her and Maverick’s romance aside from once again — the script’s need for one. They have a few scenes — mostly a lot of buildup — and that’s pretty much it. It’s obvious throughout that Cruise is the star of the film, and “Top Gun” doesn’t do a whole lot to build up the others.

    That’s not to say the film is not without merit. Rapport between Maverick and Goose, as well as Maverick and Viper, turn the film a bit deeper than it could have been without. Especially one scene, as Viper counsels Maverick after a high-skies tragedy, show that the film has the right intentions.

    Light and Predictable

    Top Gun
    Tom Cruise, Val Kilmer, Anthony Edwards, and Rick Rossovich in “Top Gun.” (Photo: Paramount Pictures, 1986).

    The soundtrack is repetitive yet pleasing. Kenny Loggins’ “Danger Zone,” and Berlin’s “Take My Breath Away” cycle throughout the film’s tense scenes and romantic scenes respectively. And some old classics, such as “You’ve Lost That Lovin’ Feeling,” and “Great Balls of Fire” find their way in as well. The rest of the movie has a pleasant score, featuring synthesizers, drums, and the “Top Gun Anthem” written by Harold Faltermeyer. The movie sounds ‘80s — you have to give it credit for that.

    Apart from this, there’s not much else to the film. It culminates in a predictable way, but you’ll probably be expecting this about 10 minutes in. This is not a film of sharp drama, but rather a easy-watch film that pours together all the ingredients for a Hollywood romance/actioner. The film is rated PG and feels like it. You’ll see a lot of high flying stunts, a lot of machismo, and a couple scenes that border on great. That may be enough for you. But those looking to be on the edge of their seats in excitement may want to look elsewhere.

    Anthony Edwards flying Kelly McGillis military Navy pilot romance Tom Cruise Tom Skerritt Top Gun
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: With Brad Pitt at the Helm, ‘Troy’ is One of the More Enjoyable Mythology-to-Screen Adaptations
    Next Article Christmas with the Kranks (PG)
    Mark Ziobro
    • Website
    • Facebook
    • X (Twitter)
    • Instagram
    • LinkedIn

    Mark is a lifetime film lover and founder and Chief Editor of The Movie Buff. His favorite genres are horror, drama, and independent. He misses movie rental stores and is always on the lookout for unsung movies to experience.

    Related Posts

    Romance July 15, 2026

    ‘Chances Are’ Review: Robert Downey Jr. Delights, but Meandering Direction Derails this ’80s Rom-com

    Action June 18, 2026

    40 years of ‘Top Gun’ and Why the Hit that Almost Wasn’t Continues to Stay with Us

    Movie Review June 10, 2026

    Tribeca 2026 Review: Katie Holmes’ ‘Happy Hours’ Explores Second Chances and the Complications of Love after 40

    Comments are closed.

    Latest Posts

    ‘Gail Daughtry and the Celebrity Sex Pass’ Review — The Funniest Movie Since Last Year’s ‘The Naked Gun’

    By Nathan FlynnJuly 20, 20260

    ‘Drop’ Review: Thriller Ripe with Plotholes yet Painfully Addicting

    By Matt DeCristoJuly 20, 20260

    ‘Sneakers’ Review: Star Packed Cast Delivers a Lesson in Acting in this ’90s Comedy Caper

    By Matt DeCristoJuly 19, 20260

    ‘Short Cuts’ Review: Ensemble Cast, Dozens of Characters, Numerous Stories Comprise Robert Altman’s Indie Dramedy  

    By Matt DeCristoJuly 18, 20260
    Follow Us
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    • Bluesky
    Bollywood
    Superhero

    ‘The Great Grand Superhero’ is More Effective than ‘The Happening’ in Promoting Green Living

    By Vidal DcostaJune 23, 20260

    In a bid to feel less alienated at his new school, Dipu (Mihir Godbole) cooks…

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.