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      Latest Posts

      BFI Flare 2026: ‘Body Of Our Own’ Documents ‘Hijra Culture’, Allure of Idealism, and Individuality

      By Vidal DcostaMarch 18, 20260

      The Camera Was Never the Problem—We Just Need More Female Cinematographers

      By Paul Emmanuel EnicolaMarch 16, 20260

      98th Academy Awards — Full List of Nominations, Winners, and Takeaways

      By Mark ZiobroMarch 16, 20260

      Interview: The Multi-faceted Mukul Kumar on his Film Debut ‘The Farming Land’, Dance, Filmmaking, and More

      By Vidal DcostaMarch 15, 20260
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      Indie Film Highlights

      BFI Flare 2026: ‘Body Of Our Own’ Documents ‘Hijra Culture’, Allure of Idealism, and Individuality

      By Vidal DcostaMarch 18, 20260

      The short film “Body of Our Own”—now playing at BFI Flare—is a collaboration between filmmakers…

      Interview: The Multi-faceted Mukul Kumar on his Film Debut ‘The Farming Land’, Dance, Filmmaking, and More

      By Vidal DcostaMarch 15, 20260

      Indie Film ‘We Want the Virus’ wins ‘Best Comedy’ in L.A., Heads to NYC

      By Mark ZiobroMarch 11, 20260

      ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

      By Vidal DcostaMarch 4, 20260

      The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

      By Mark ZiobroMarch 2, 20260
      Spotlight on Classic Film

      ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

      ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

      ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

      ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

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