Close Menu
    Facebook X (Twitter) Instagram
    Friday, June 5
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Drama

    The Unborn (PG-13)

    Matt DeCristoBy Matt DeCristoOctober 26, 2014No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    Modern era horror movies at times seemed designed for no other reason than to create ticket selling revenues for an impressive movie theatre viewing. With dazzling special effects and a host of in your face, jump out of your seat and startle you moments, many scary themed films of the current generation are good for fun but offer little in the way of being truly terrifying.

    The 2009 Michael Bay produced “The Unborn” has all of the above elements; creepy and memorable scenes, numerous scares and jumps, and plenty of disturbing images that really don’t fit the story but nonetheless are there.

    The flawlessly gorgeous Odette Yustman plays Casey Beldon, who after a series of haunting occurrences discovers she was at one time a twin but that her would be brother died in the womb. With the understanding that her deceased twin is now a merciless demon, Casey enlists the help of a rabbi (Gary Oldman) to rid her of the monster for good.

    “The Unborn” features some great characters – Atticus Shaffer who is highly recognizable as the peculiar Brick Heck from TV’s The Middle plays Matty, a neighbor boy who seems to be under the control of the malevolent demon. Shaffer was born to play any assortment of creepy children, with his stone expression and completely unlovable features, its a shame he is nearing adulthood. While excellent at his craft, Shaffer is in the movie simply because he’s a creepy kid.

    unbron2

    One of my favorite actors – Idris Elba – also makes an appearance. Elba is great in a limited role introduced near the end of the story but seems to have been cast for no other reason than he’s a chic actor.

    Odette Yustman, one of the stars of “Cloverfield,” is just so hot the viewer won’t be able to tell or care that she can’t act a lick. And I’m not sure why Gary Oldman would agree to such a role as the heroic rabbi (unless Odette asked him and he couldn’t say no to her).

    “The Unborn” contains the typical scares of today’s era horror. There are some truly grisly scenes – such as a handicapped man springing from his wheelchair and crawling after an older woman in a rest home, and a distorted dog that follows Casey, but again they don’t really make sense in terms of adding to the movie as a whole.

    unborn3At one point, the demon attempting to possess Casey gains control of her best friend, Matty, and the character played by Idris Elba, prompting one to ask; if it can take these forms why isn’t it satisfied with that? why does it need Casey?

    “The Unborn” is the kind of movie that proves the whole can never be greater than the sum of its parts. Overall, its an okay movie. A handful of ghastly scares and the hotness of Yustman tip it up a notch above average.

    by – Matt Christopher

     

     

     

    2009 Atticus Shaffer Cam Gigandet Gary Oldman Idris Elba Odette Annable The Unborn
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleHaunter (R)
    Next Article The Hitcher (R)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Independent June 4, 2026

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    Drama June 3, 2026

    ‘The Currents’ Review: Taking the Plunge

    Bollywood June 3, 2026

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    Dark Comedy June 2, 2026

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    Western May 31, 2026

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    Horror May 30, 2026

    ‘Passenger’ Review: An Unremarkable Haunting Story with a Van-Life Twist

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    By Paul Emmanuel EnicolaJune 4, 20260

    ‘The Currents’ Review: Taking the Plunge

    By Kevin ParksJune 3, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    By Mark ZiobroJune 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Bollywood
    Bollywood

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    Sagar (Irrfan Khan), an ambitious musician rents a quaint cottage while awaiting his acceptance letter…

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260

    Halfway to Halloween: ‘Lekin…,’ a Time-Spanning Tale About Crossing Over to the Other Side

    By Vidal DcostaApril 22, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.