Close Menu
    Facebook X (Twitter) Instagram
    Tuesday, June 16
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Movie Review

    ‘The Backrooms’ Review: As Kane Parsons Directorial Debut Looms, We Review the Short Film that Started it All   

    Matt DeCristoBy Matt DeCristoApril 16, 2026No Comments2 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    The monster featured in "The Backrooms" (Photo: Kane Pixels, 2022).
    Share
    Facebook Twitter Email Copy Link

    I stumbled across a series of found footage analogue horror shorts called “The Backrooms” and was instantly invested. There are dozens of these films scattered across YouTube, the genesis of which was conjured by a young filmmaker and visual effects artist named Kane Parsons.

    Parsons (who goes by Kane Pixels) began his filmmaking career as a teenager. He has an unusual knack for horror with the shorts released thus far. They have become internet sensations, inspiring countless others to make their own versions. In May of 2026, Kane Parsons will make his feature length directorial debut when A24 Films releases “Backrooms.”  

    Primitive Fear

    “The Backrooms” employs game glitches to set the premise. A cameraman (Parsons) stumbles out of his reality and into the backrooms, like a video game character accessing an inaccessible portion of a game. We watch the film from the lens of the camera as he explores his surroundings, a consistent and seemingly endless maze of bland rooms and halls until a horrific creature begins chasing him.

    The movie is effective at using liminal space as an agent of terror. The surroundings of the backrooms area are empty and feel like a transitional point in time. Primal fears such as isolation, unable to leave, and being chased are employed to perfection. It feels like a nightmare we have all experienced.

    Analog Horror

    The found footage aspect is anything but modern. The camera view looks and feels like something from the 80s or 90s. It has an intentionally cheap quality to it that only adds to the weirdly unsettling scenario.

    The unintelligible monster is original and terrifying. The screech it belches out when pursuing the cameraman is perfectly chilling. The creature itself is something you can’t make sense out of. It’s weirdly unsettling and makes for a perfect horror beast.

    Kane Pixels

    “The Backrooms” is a 9-minute horror short that’s refreshing. I’m excited to see what the full-length film has in store.

    If you’re interested in horror shorts, check out the entire Backrooms series on Kane Pixels YouTube channel.

    kane parsons kane pixels
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous Article‘Mother Mary’ Review: ‘Phantom Thread’ Meets ‘Black Swan’ in This Slow Burn Where Creation Starts to Feel Like Possession
    Next Article The Short ‘Family Game Night’ Shows Dysfunction and Healing in Equal Measure
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Sci-Fi June 16, 2026

    ‘Disclosure Day’ Is Spielberg’s Tender, Thoughtful, Kooky, Old-Fashioned Sci-Fi Thriller About Generating Shared Empathy

    World Cinema June 15, 2026

    Tribeca Festival 2026: Tao Zhang’s ‘Against the Flow’ is Artistic and Introspective Yet Bleak and Abstract

    Documentary June 15, 2026

    ‘Alicia Keys: Girl From Hell’s Kitchen’ Tribeca 2026 Review: Big Knick Energy, Broadway Dreams, and Carefully Opened Doors

    Action June 15, 2026

    ‘Masters of the Universe’ is an Fun, Light ‘He-Man’ Film Provided You Can Let Go and Enjoy It

    Comedy June 15, 2026

    ‘That Friend’ Tribeca 2026 Review: A Chaotic Buddy Comedy About the Friend You Can’t Quite Outgrow

    Comedy June 14, 2026

    ‘Captain Ron’ Review: Runaway Plot and Repetitive Slapstick Sink this Nautical Comedy

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Disclosure Day’ Is Spielberg’s Tender, Thoughtful, Kooky, Old-Fashioned Sci-Fi Thriller About Generating Shared Empathy

    By Nathan FlynnJune 16, 20260

    Tribeca Festival 2026: Tao Zhang’s ‘Against the Flow’ is Artistic and Introspective Yet Bleak and Abstract

    By Mark ZiobroJune 15, 20260

    ‘Alicia Keys: Girl From Hell’s Kitchen’ Tribeca 2026 Review: Big Knick Energy, Broadway Dreams, and Carefully Opened Doors

    By Paul Emmanuel EnicolaJune 15, 20260

    ‘Masters of the Universe’ is an Fun, Light ‘He-Man’ Film Provided You Can Let Go and Enjoy It

    By Mark ZiobroJune 15, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Bollywood
    Bollywood

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    Sagar (Irrfan Khan), an ambitious musician rents a quaint cottage while awaiting his acceptance letter…

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260

    Halfway to Halloween: ‘Lekin…,’ a Time-Spanning Tale About Crossing Over to the Other Side

    By Vidal DcostaApril 22, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.