Close Menu
    Facebook X (Twitter) Instagram
    Friday, June 5
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Movie Review

    Indie Review: ‘Heartless’ Terrifies with Emotional Horror

    Matt DeCristoBy Matt DeCristoApril 3, 2024No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    The Shirley Jackson story “The Lottery” was one of my earliest influences as a horror writer. Icelandic filmmaker Haukur Björgvinsson draws influence from the classic tale with the 2021 piece “Heartless.”

    15 Minutes on the edge of your seat

    “Heartless” doesn’t waste time explaining details, and the film is better for it. We the viewer don’t know where or when the story takes place. Björgvinsson feeds us what we need to know as the story begins.

    Anna (Briet Isis Elfar) and Gunnar (Johann Kristofer Stefansson) are a young couple in love. The relationship seems genuine, and the pair have a touching rapport with each other. But we know they are dealing with something awful on the horizon – literally and figuratively.

    The beautiful Icelandic countryside serves as a perfect setting. It’s a small community of residents, and they have a system for sharing. A raffle performed every seven years that pairs up the community in a relationship roulette. Each is forced to accept the new partner or face banishment to the Egg – a giant and ominous monolith that floats in the skies above.

    Emotional Horror at its Best

    The very concept of being forced to abandon your significant other would be difficult enough. That you would have to live in the same village as you watch them be with another is pure terror. Add in the fact that you are required to personally coach the replacement on what your partner likes and doesn’t like is sheer genius.

    Briet Isis Elfar and Johann Kristofer Stefansson in “Heartless”

    As the lottery is commencing, we see the tides of emotion on people’s faces. Some are happy as they draw perceived upgrades. We also see the anguish in the eyes of a father separated from his daughter as a new man is selected. Same gender pairings are also a luck of the draw.

    Anna and Gunnar wrestle with the idea of splitting up, or going to the Egg together, which is said to rectify selfish behavior. “Its horrible.” Anna laments in reference to the idea of seven years in the Egg. “Not as horrible as breaking up.” Gunnar replies with a look of terror. The ending is what makes the picture perfect.

    “Heartless” is an amazing watch. You’ll find yourself instantly invested in the couple, and the situation they are dealing with.

    April is Halfway to Halloween, and “Heartless” is a quick and enjoyable thing to wet your horror appetite.

     

     

     

     

    “Heartless” can be watched on Youtube here

    Briet Isis Elfar Haukur Björgvinsson Johann Kristofer Stefansson
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous Article24 in 24: DAY FOUR – The Most Consistent Season Thus Far
    Next Article ‘Immaculate’ Review: Michael Mohan’s Indecisiveness in Tone Ultimately Leaves His Film’s Stylistic Endeavors to Dry
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Independent June 4, 2026

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    Drama June 3, 2026

    ‘The Currents’ Review: Taking the Plunge

    Bollywood June 3, 2026

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    Dark Comedy June 2, 2026

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    Western May 31, 2026

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    Horror May 30, 2026

    ‘Passenger’ Review: An Unremarkable Haunting Story with a Van-Life Twist

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    By Paul Emmanuel EnicolaJune 4, 20260

    ‘The Currents’ Review: Taking the Plunge

    By Kevin ParksJune 3, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    By Mark ZiobroJune 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Bollywood
    Bollywood

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    Sagar (Irrfan Khan), an ambitious musician rents a quaint cottage while awaiting his acceptance letter…

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260

    Halfway to Halloween: ‘Lekin…,’ a Time-Spanning Tale About Crossing Over to the Other Side

    By Vidal DcostaApril 22, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.