Close Menu
    Facebook X (Twitter) Instagram
    Tuesday, July 21
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Media Partners
      • Terms of Use
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Drama

    Review: Modernizing Jane Austen Does More Harm than Good in the Netflix Adaptation of ‘Persuasion’

    Meghann BiggBy Meghann BiggJuly 18, 2022No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Persuasion
    Dakota Johnson in "Persuasion." (Photo: Netflix).
    Share
    Facebook Twitter Email Copy Link

    Jane Austen’s novels have become not only classic literature, but have been expertly adapted into successful motion pictures which still resonate to this day. The most notable adaptation is “Pride and Prejudice” starring newcomer at the time Kiera Knightley, and most recently “Emma,” which starred Anya Taylor Joy and propelled her into a megastar. The latest adaption is “Persuasion,” which may be the most difficult Austen novel to adapt. This is particularly for modern audiences, as the film centers around societal norms that relate to the Regency Era. 

    The film follows Anne Elliot, played by Dakota Johnson, who looks the part and has a compelling English accent. Anne is the outcast of her family as she is without a husband — eight years ago she turned down a proposal, which according to her family was her once chance at love. She is still regretting her life choices, and she lives with her family until her father’s overspending makes the family leave and rent out their grand estate. The couple that moves in has a link to the proposal that Anne turned down years ago; and as most Austen novels, romance and turmoil ensue. 

    Mixed Reviews of the Austen Adaptation

    There have been a lot of mixed reviews for this film. The common flaw is that Anne narrates the whole film and breaks the fourth wall by talking to the audience and introducing them to each character. This is very reminiscent of Phoebe Waller Bridge’s iconic character of Fleabag, an obvious nod to the film wanting to make Austen tolerable for a modern audience. However, it comes across as forced and sticks out against the iconic language and wit of Austen. It feels like Director Carrie Cracknell is trying too hard to make the main character relatable to modern audiences. 

    The casting of Johnson is the best part of this film, as she does look and sound the part of Anne. It is a different role for her to take on, and one that may change her career to resemble Kiera Knightley’s. However, the film’s tone is confusing. It flits between a modern narration of a twenty-something girl trying to navigate her family and a potential romance, but then contains Austen’s language and ideologies and is a more typical adaption. The film does have all the right potential but ultimately falls short. This is due to the Director’s obvious intentions to make the film modern. However, audiences love Austen’s work on-screen and unfortunately, this is not an adaptation they will reminisce for years to come. 

     

     

     

     

    “Persuasion” is available to stream on Netflix.

    Support the Site: Consider becoming a sponsor to unlock exclusive, member-only content and help support The Movie Buff!

    Dakota Johnson Harry Golding JANE AUSTEN netflix Persuasion Regency Era Richard E. Grant romance streaming
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘The Perks of Being a Wallflower’ High School Film for the Modern Generation
    Next Article Review: The Short ‘Wednesday’s Child’ Shows the Intricacies of the Social Work Profession with Grace and Wit
    Meghann Bigg

    Meghann is an aspiring entertainment journalist who mainly writes about film. Her favourite genres are musical, fantasy, and psychological thriller (favourite movies include: "Gone Girl," "Titanic," and "Mary Poppins."

    Related Posts

    Romance July 15, 2026

    ‘Chances Are’ Review: Robert Downey Jr. Delights, but Meandering Direction Derails this ’80s Rom-com

    Thriller July 13, 2026

    ‘Strung’ Review: The Thriller is Beautiful to Look at but Fails to Deliver Any Thrills

    Movie Review June 10, 2026

    Tribeca 2026 Review: Katie Holmes’ ‘Happy Hours’ Explores Second Chances and the Complications of Love after 40

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Gail Daughtry and the Celebrity Sex Pass’ Review — The Funniest Movie Since Last Year’s ‘The Naked Gun’

    By Nathan FlynnJuly 20, 20260

    ‘Drop’ Review: Thriller Ripe with Plotholes yet Painfully Addicting

    By Matt DeCristoJuly 20, 20260

    ‘Sneakers’ Review: Star Packed Cast Delivers a Lesson in Acting in this ’90s Comedy Caper

    By Matt DeCristoJuly 19, 20260

    ‘Short Cuts’ Review: Ensemble Cast, Dozens of Characters, Numerous Stories Comprise Robert Altman’s Indie Dramedy  

    By Matt DeCristoJuly 18, 20260
    Follow Us
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    • Bluesky
    Bollywood
    Superhero

    ‘The Great Grand Superhero’ is More Effective than ‘The Happening’ in Promoting Green Living

    By Vidal DcostaJune 23, 20260

    In a bid to feel less alienated at his new school, Dipu (Mihir Godbole) cooks…

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.