Close Menu
    Facebook X (Twitter) Instagram
    Thursday, June 4
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Action

    Review: ‘Moonfall’ Hits Less than Emmerich’s Other Works, but is Still a Fun Time at the Cinema

    Meghann BiggBy Meghann BiggFebruary 15, 2022No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Moonfall
    John Bradley in "Moonfall." (Photo: Reiner Bajo).
    Share
    Facebook Twitter Email Copy Link

    “Moonfall” is the first disaster film directed by the acclaimed director of the genre Roland Emmerich in over five years. He is the famed director behind classic films such as “The Day after Tomorrow” or “2012,” and as a lover of this genre, I was intrigued to see his newest adventure. “Moonfall” may be the first film that explores the moon, and if the moon was to fall what would happen? It is unsurprisingly camp and dramatic, but that is a typical trait of an Emmerich film. 

    Unsurprisingly Camp and Dramatic; Emmerich Finally Explores the Moon

    The film follows Astronaut’s Jo (Halle Berry) and Brian (Patrick Wilson); they witness a freak accident, and when they make it back to Earth minus a crew member no one believes what happened. Then ten years later KC (John Bradley), a blogger see’s that the moon has fallen out of orbit and he enlists the help of Brian and Jo to return to space and defeat “the swarm” as described in the film.

    The main stars Wilson and Berry are enjoyable to watch, and their jargonistic dialogue is portrayed with such conviction so no one else in the film is on the level—except for one explication which is the heart of the film KC (Bradley). His story of embarking on this journey because of the love of his mother is heartwarming, and Bradley’s kind face is enough for the character to display a sense of sympathy. 

    ‘Moonfall’ Doesn’t Take Itself too Seriously

    The premise of this film is everything you want from Emmerich, who is known for these camp, over-the-top disaster films. However, the big set-piece action sequences are far few in this film and don’t come in until three quarters in. The CGI sections feel very empty and the spectacle of it all is quite boring; the film doesn’t have the usual heart-pumping, hands sweating reaction we usually get from an Emmerich film. Once the film enters space, the visuals have a chance to shine; but the plot takes a turn, and the character of Brian goes on a spiritual discovery with the help of his troublesome son. 

    ‘Moonfall’ is the first disaster film directed by the acclaimed director of the genre Roland Emmerich in over five years.

    “Moonfall’s” plot doesn’t take itself too seriously, and makes it a fun time at the cinema if nothing else. Unfortunately, there is little else in this film and it pales in comparison to Emmerich’s other work. In the end, it feels like a re-creation of his other film’s but here the execution falls short. 

     

     

     

     

    Currently, “Moonfall” is only available to watch in theaters. 

    Support the Site: Consider becoming a sponsor to unlock exclusive, member-only content and help support The Movie Buff!

    disaster Halle Berry John Bradley moon Moonfall Patrick Wilson Roland Emmerich sci-fi
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘Marry Me’ is a Sweet Valentine’s Day Surprise from Jennifer Lopez and Owen Wilson
    Next Article Trailers: Exploring Marvel’s ‘Doctor Strange in the Multiverse of Madness’ Spot that Premiered at Super Bowl LVI
    Meghann Bigg

    Meghann is an aspiring entertainment journalist who mainly writes about film. Her favourite genres are musical, fantasy, and psychological thriller (favourite movies include: "Gone Girl," "Titanic," and "Mary Poppins."

    Related Posts

    Independent June 4, 2026

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    Drama June 3, 2026

    ‘The Currents’ Review: Taking the Plunge

    Bollywood June 3, 2026

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    Dark Comedy June 2, 2026

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    Western May 31, 2026

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    Marvel May 30, 2026

    Review: The TV Series ‘Spider-Noir’ Mixes Detective Work and Action — and Nicholas Cage

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    By Paul Emmanuel EnicolaJune 4, 20260

    ‘The Currents’ Review: Taking the Plunge

    By Kevin ParksJune 3, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    By Mark ZiobroJune 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Bollywood
    Bollywood

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    Sagar (Irrfan Khan), an ambitious musician rents a quaint cottage while awaiting his acceptance letter…

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260

    Halfway to Halloween: ‘Lekin…,’ a Time-Spanning Tale About Crossing Over to the Other Side

    By Vidal DcostaApril 22, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.