Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Documentary

    Tribeca Review: Documentary ‘The Last Out,’ An Important Sports Doc About Chasing a Dream

    Daniel Prinn By Daniel PrinnJune 21, 2021No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Happy Oliveros in 'The Last Out,' premiering at the Tribeca Film Festival. (Photo by: Jonathan Miller.)
    Share
    Facebook Twitter Email Copy Link

    The documentary “The Last Out” was originally slated to premiere at 2020’s Tribeca Film Festival but was pushed back to this year’s festival due to the pandemic. It’s one of the 2020 films receiving a special screening this year, as a doc about three Cuban baseball players hoping to get their big break in the Major Leagues.

    Due to the relationship between Cuba and the U.S., it’s illegal for MLB teams to recruit and sign Cuban players. Their road to the Majors is an uphill battle, and that much is true for the film’s three core subjects in Victor Baró, Carlos O. González and Happy Oliveros, who train together after all moving to Costa Rica.

    In Costa Rica, once they are residents of Costa Rica, they’ll be able to scouted by the MLB and start the process of searching for contracts. However, they’ll have to deal with somewhat shady agents where the waiting game is grueling. This is the case with Gus Dominguez – an agent who houses the three hopefuls in Costa Rica, fronting their expenses where he’ll eventually get 20 per cent of their signing bonus.

    That’s not why he’s shady; but he’s villainized at certain points in the film as he’s rather ruthless in cutting stars if he doesn’t think they’ll be able to sign for $300,000 or upwards in the majors. If they only sign for $100,000; that investment isn’t worth it. Baseball’s a business after all, so these prospects are “investments” that he has risk in.

    It’s intriguing how all that plays out with the three ball players and the different paths they have to take in hopes of even getting in front of MLB scouts to get a chance to make it to the Major Leagues.

    Trying to beat the odds

    We learn that from 2011-2016 only six Cuban players have made it to the pro level, out of hundreds that have tried. Evidently, the odds are stacked against them our heroes from the start. Directors Michael Gassert and Sami Khan also show that chasing this dream is a risk. They paint that picture well, especially as we see the men’s family back home missing them.

    This is not a sports film that’s inspiring in the traditional ways and feels rather depressing at times. It’s more of a dose of reality kind-of film, as it’s also about their journey to America. The film is hopeful at first. Like the ball players, we believe that the sky is the limit. It seems that they were led to believe that it would be a quick process, but it is not.

    Happy Oliveros in ‘The Last Out,’ premiering at the Tribeca Film Festival. (Photo by: Jonathan Miller.)
    Entertainment factor

    Their waiting is endless and heartbreaking. We don’t know the odds are stacked against them yet. As we learn that with them, it hits hard… The entertainment value isn’t paramount here. However, when it does entertain, it’s when these players are together, having fun. They’re so fun to watch and they bring a lot of heart to the film.

    They cite their inspirations in the Majors; like Dominican players that have made it, or like Kansas City Royals pitcher Yordano Ventura. This is one of the moments that dates the documentary, since Ventura passed away in early 2017.

    As a film that does inspire because of the players’ work ethic and keeping their on the prize – the Major Leagues – “The Last Out” surely works. This is a scouting system that should be fixed, and the film sheds light on that. This is especially true for Cuban players.

    They only have so many years to play, and waiting so long to even get residency is a problem. I wanted to see the film go a bit deeper. It would have been great to see what some executives think of these issues and if there’s anything that’s being done. Still, this is a strong, challenging doc all the same.

    “The Last Out” had a special screening at the Tribeca Film Festival on June 19. 

    2021 baseball Carlos O. González documentary Happy Oliveros sports The Last Out Tribeca Victor Baró
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: Too Much Focus on Comedy and Less on Grounded Realism Makes ‘Together Together’ Emotionally Lacking
    Next Article ‘My Brother… Nikhil’ Explores the Stigmatisation of AIDS Patients in India
    Daniel Prinn
    • Website
    • X (Twitter)

    Daniel is a lover of cinema and looks at the cast, characters, and how well a movie executes the genre. Daniel also looks at the plot and his level of enjoyment. He tries to be fair to a movie’s audience, even if a particular film isn’t his cup of tea. In addition to writing for "The Movie Buff," Daniel has been writing theatrical reviews for his own blog at “Filmcraziest.com."

    Related Posts

    Drama June 16, 2025

    ‘Happy Birthday’ Tribeca Review: A Beautifully Grounded Portrait of Classism, Labor, and Girlhood

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Interview June 13, 2025

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    Independent June 8, 2025

    ‘On a String’ Tribeca Review: Isabel Hagen’s Viola-Playing Heroine Finds Humor in Stagnation

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Happy Birthday’ Tribeca Review: A Beautifully Grounded Portrait of Classism, Labor, and Girlhood

    By Paul Emmanuel EnicolaJune 16, 20250

    ‘Sister Midnight’ Review: Sapped of All Energy, a Defiant Domestic Goddess Bites Back

    By Vidal DcostaJune 16, 20250

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Sister Midnight’ Review: Sapped of All Energy, a Defiant Domestic Goddess Bites Back

    By Vidal DcostaJune 16, 20250

    Trapped in a loveless marriage and repulsed by the repetitive need to conform, Uma (Radhika…

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.