Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Horror

    Review: ‘Antebellum’ is Well-Written, Captivating, and Brings the Horrors of the Past to the Present

    Stephanie RosasBy Stephanie RosasMarch 1, 2021No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Antebellum
    "Antebellum." Photo: QC Entertainment, 2020.
    Share
    Facebook Twitter Email Copy Link

    “Antebellum” is an American horror film brought to us from first-time feature filmmakers Gerard Bush and Christopher Renz. The film stars Janelle Monáe who plays a modern-day Black woman who wakes up one day and finds herself trapped on a Civil War-era slave plantation, forcing her to revisit the horrors of American slavery. Watching the trailer prior, the audience is already aware that there are two realities in the film, which leaves many questions before even watching the film. 

    The film opens with a William Faulkner quote, “The past is never dead. It’s not even past,” which is then followed by a 5-minute opening tracking shot establishing the world we’re being introduced to first, which is the most memorable scene in the film, honestly. The long shot starts from the front of a beautiful house and makes its way to the back, where the audience is brought to the horror behind it, which is the harsh frightening new reality of these characters’ now altered lives. The cinematography during this shot is very well done and captivating, which pulled me directly into the film and immediately grasped my attention. We’re pulled into an attempted escape by one of the female slaves, who gets chased down and killed, setting the tone for the film instantly. 

    “Antebellum” then introduces us to our protagonist, Eden, who, when a new set of slaves arrive, we learn she has attempted to escape before, has been abused, and is complying with this new reality for now. She even tells one of the new slaves, “whatever you came from, you need to forget it.” From the production design to the scenes without much dialogue and just action, I could already tell that the film is relying heavily on visual content and it shows beautifully with great detail. It shows how important each of the realities of the film are to the story being told.

    Half an hour into the film, we’re finally introduced to pre-abduction present day Eden, whose name is actually Veronica Henley. Veronica is a successful sociologist and author with a husband and daughter. Due to the release of her new book, she travels to speak at a seminar promoting her work and showing that she uses her voice and platform to inspire and start those racial conversations that a lot of people try to avoid. One line that stuck out the most to me was while speaking to her audience at the seminar, Veronica says “they’re stuck in the past, we are the future. Our future is now.” This line is ironic considering we know where she’s about to be abducted to, and you can’t help but realize that perhaps her activism might have put a target on her back. 

    Antebellum
    Janelle Monáe and London Boyce in “Antebellum.” Photo: QC Entertainment, 2020.

    Janelle Monáe leads this film with an outstanding performance; I have always seen her in smaller roles, but this film truly showcased her acting and the several emotions she’s able to convey on screen. I also loved that they started with the plantation before introducing who Veronica really was, being as if we as the audience are thrown into the plantation without warning as well. The layout of the film is well done visually; each scene feels necessary to the story being told, and the attention to detail of the time periods are on point. 

    We’re taken on this thrilling psychologically journey where Veronica is forced to confront the past, her present, and the future. Even though she is the main character, I felt there was a lack of focus on other characters that could have been explored a bit more. For example, why didn’t more of the other captives have more lines or more reaction to what was going on in this new reality? Why couldn’t we get more insight on why they chose certain individuals as captives? What about backstory for the antagonists? 

    Overall, “Antebellum” is very well written, captivating, and visually pleasant. It’s an important film that I’m glad the pandemic didn’t prevent from releasing, especially due to everything going on globally at present. The film brings forth important racial conversations that we need to continue to have, and shows the harsh reality of the world right now. Veronica said it perfectly when she stated, “they’re stuck in the past, we are the future. Our future is now”—which ironically also sums up the film. 

    *You can currently watch “Antebellum” on most streaming networks either via subscription or rental. 

     

     

     

     

    horror Janelle Monáe Jena Malone past plantation slavery
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘The Untouchables’—You Can get Further with a Kind Word and a Gun than Just a Kind Word
    Next Article Review: ‘The Night of the Hunter,’ a Near-Perfect Film, is Full of Tension and Psychology
    Stephanie Rosas

    Stephanie is a graduate from CSU Los Angeles and received her Bachelor’s Degree in Television, Film & Media. Though there isn’t enough time to watch every movie and TV show in the universe, she manages to find a way to watch as many as possible. When she’s not binge-watching something, she’s collecting nerdy memorabilia, writing, taking care of her baby sister, or cooking up new keto recipes for her family! She is an extreme believer in the quote "not all those who wander are lost".

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Horror February 28, 2026

    Why Do We Keep Returning to the ‘Scream’ Films?

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.