Close Menu
    Facebook X (Twitter) Instagram
    Friday, June 5
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Fantasy

    The Nightmare Before Christmas (PG)

    Matt DeCristoBy Matt DeCristoDecember 8, 2012No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    Watching Christmas movies this time of year should be everyone’s tradition, however not all Christmas movies need to be traditional.  Nothing could be more further from the warmth and convention of “It’s a Wonderful Life” like the 1993 stop-animation feature “The Nightmare Before Christmas.”  

    Tim Burton, the enigmatic and eccentric mind behind “Beetlejuice,” “Edward Scizzorhands,” “Ed Wood,” and “Alice in Wonderland” (to name a few) weaves a musical tale that blends Halloween and Christmas (a rare if not impossible combination otherwise) off the basis of a poem that he had penned ten years prior.

    The film is the first full length stop-animation feature, paving the way for descendants like “James and the Giant Peach,” “Corpse Bride,” and “Coraline.”  Despite its benchmark success and great musical interludes dispersed throughout, the 76-minute film also employs a truly unique plot.

    “Twas a long time ago,” as the beginning narration advises, taking place in the holiday world.  We see a forest with several trees, each a gateway to one of the holidays.  The doors on the trees have a symbol expressing which holiday realm they lead to (one tree has an Easter Egg, another a Shamrock, another a Turkey etc.)

    nightmare2

    The narrator advises that this is where holidays come from and the door marked with the Jack-O-Lantern opens.  The opening number (This is Halloween – a song you will rewind and re-watch at least 3 times and hum the tune for days if not weeks after) introduces Halloween Town and the residents one would expect; vampires, witches, ghouls, and wolves – a town where it is Halloween every day of the year.

    The Mayor teams with the film’s protagonist and the towns de facto leader, Jack Skellington (voiced by Chris Sarandon) who is known as the Pumpkin King.

    As they discuss the aftermath of another great Halloween and begin to make preparations for next year (which is all that that they do) Jack seems disinterested in the festivities, growing bored with the same routine year after year after year after year.

    Jack’s secret admirer Sally (voiced by Catherine O’Hara) a Frankenstein-like created rag doll who longs for her freedom from the mad scientist who created her, watches in secret as Jack sings his inner feelings that, while he is exceptional at his trade of scares on Halloween, he is growing disenchanted with being the Pumpkin King and longs for something more.

    nightmare3As Jack is skulking about with his ghost-dog Zero, they inadvertently discover the forest with the doors to the holiday worlds.

    Entranced by the door with the Christmas Tree, he is magically thrust inside.  Finding himself in a mysterious world filled with snow, he sings the song What’s This as he marvels at the lights, décor, and happiness of Christmas.

    He takes note of how very different this place is from his home and like almost anyone, assumes the grass is greener.  “The monsters are all missing and the nightmares can’t be found (he sings) and in their place there seems to be good feelings all around!”

    Jack returns home and summons the entire town.  He gushes to everyone about Christmas Town and attempts to explain the concept of presents, stockings, and traditions as best he can.  As the townsfolk question it, Jack goes on to describe the ruler as a fearsome being called Sandy Claws (though he is only assuming this to be the case from what he has misheard.)

    At home, Jack studies the history of Christmas and while good-intentioned he quickly becomes obsessed with it and decides there is only one way to explain it to his people as he vows that this year the citizens of Halloween Town will take Christmas for themselves.

    nightmare4

    Jack assigns various tasks to the town such as decorating, creating reindeer, and the assembly of (what they feel) are good presents.

    He recruits 3 trick-or-treators; Lock, Shock, and Barrel, the henchmen of the notoriously wicked Oogie Boogie (voiced by Ken Page) to kidnap the real Santa so Jack can take his place on Christmas Eve.

    Sensing disaster, Sally, who is falling in love with Jack, attempts to stop him from carrying out his plans.

    Halloween and Christmas are the real life bookends of the holiday season, holding together the best time of the year and “The Nightmare Before Christmas” is a masterful blend of the two.

    Though unusual in its approach and characters, “The Nightmare Before Christmas” has all the elements of a great Christmas film; overcoming odds, love, and of course a moral lesson for the hero Jack Skellington

    The primitive animation is great and with the one of a kind story and the songs of Danny Elfman (lead singer of the 80s band “Oingo Boingo”) this is a definite classic and an annual must watch film.

    – by Matt Christopher

    Chris Sarandon Christmas Danny Elfman Halloween The Nightmare Before Christmas Tim Burton
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleDie Hard (R)
    Next Article The Mistle-Tones (TV NR)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Independent June 4, 2026

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    Drama June 3, 2026

    ‘The Currents’ Review: Taking the Plunge

    Bollywood June 3, 2026

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    Dark Comedy June 2, 2026

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    Western May 31, 2026

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    Horror May 30, 2026

    ‘Passenger’ Review: An Unremarkable Haunting Story with a Van-Life Twist

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    By Paul Emmanuel EnicolaJune 4, 20260

    ‘The Currents’ Review: Taking the Plunge

    By Kevin ParksJune 3, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    By Mark ZiobroJune 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Bollywood
    Bollywood

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    Sagar (Irrfan Khan), an ambitious musician rents a quaint cottage while awaiting his acceptance letter…

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260

    Halfway to Halloween: ‘Lekin…,’ a Time-Spanning Tale About Crossing Over to the Other Side

    By Vidal DcostaApril 22, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.