Close Menu
    Facebook X (Twitter) Instagram
    Friday, June 5
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Comedy

    Review: ‘Eeb Allay Ooo!’— a Hybrid of Actuality and Fiction

    Arpit NayakBy Arpit NayakJune 7, 20201 Comment4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    Interminable stoicism has made us fleetingly go in and out of concealment to confront curious incidents, fantasy, and existence… The resulting experience; why our endless, beyond-limit illusions of doctrine, place, and reality push us around in pursuit of some new assured ambit and freedom.

    An era where the ostentatious idea of the nation rests in a distant past or hovers in a revamp future, “Eeb Allay Ooo!” lays out a conspicuous and uncomfortable view of the present.

    You must have heard of many unique job descriptions… but have you ever come across such descriptions where open arms, all vigilant, roaming under trees and numerous public places, keeping bananas and making unique voices from within.

    Sounds weird and surprising?  Well, it’s a job for real: the film opens with the card: ‘Special thanks to the monkeys of Lutyens’ Delhi.’ Yes, the plot revolves around the real-life menace of monkeys that plague government buildings in the national capital of Delhi.  Anjani applies for the job of a monkey repeller… He came to Delhi from his hometown; and staying with his pregnant sister, who is blindsided with the job title and focus on a government job. 

    Anjani doesn’t like to spend his time dealing with monkeys. The fact is he is scared of the monkeys. His job requires him to master three magical words used by his colleagues to pursue away or capture perky monkeys. He fails miserably over getting this voice; being unskilled, he tries everything he could to get success in this, including protesting but failing, which leads to losing his job. The film is pitched as derision, and the three magical words “eeb, ally, ooo” are a tagline of sorts for Anjani’s mishap.

    One of the on-the-nose ironies in the film, which seems particularly apt, is that Anjani is another name for Hanuman, the monkey god… The plot whirls around the real-life imperils of monkeys that swarm government buildings in Delhi. Anjani uses this line—monkeys rule Raisina Hill; could it be that the animals represent those that run The System? The story takes you away from everyday peculiarity, disquiet, and jostle. 

    Story & Cinematic Aspects 

    A scene from “Eeb Allay Ooo!” (Na Ma Productions, 2019).

    The vital role in any movie is the story. Prateek Vats and Shubham has done phenomenal work with the writing. The inspiration came from day-to-day life/fiction space. The story is their personal take on various relevant issues, laced with satire and humor. The story lays an excitement of the unknown, a sharp critique of the known. I believe the story is a fresh and has an open perspective on various societal issues, as well as the cinematic craft used to coherent it.

    Vats’ remarkably confident directorial debut shows his life-like realistic style as a director. On the other hand, Saumyananda Sahi did an excellent job with cinematography, which you rarely see take away from the animals’ faces for too long.  Effective atmospheric sound design enhances it, which layers New Delhi’s busy roads and the people it carries with the monkeys. 

    Realistic acting is what stood out for this film. Lead Shardul Bhardwaj (Anjani) has delivers a worthy performance, followed by all the supporting cast, especially non-trained actor Mahindra Nath who is real-life monkey repeller.

    The final sequences have a sense of surreal tragedy and social resentment. We watch Anjani’s frustration and wretchedness as he visualizes a bleak future. A shot of Anjani standing behind a white mask will show you a true nature of a human over his thoughts, where you will witness how social life events turn a person from white to dark. This will remind you of a moment from the climax of “Parasite” and Michael Douglas from the movie “Falling Down.” Story showcase animals are legally protected, but human beings are utterly expendable… How one can be timid to monstrosity.

    “Eeb Allay Ooo!” is a big dose of reality, and casts an eye on many issues without over accentuating any, nor getting educative or virtuous.

    The film is about the classification ambulation and fractionate. Discernible and imperceptible, and what impact it brings on humans. It’s about his vexation, indignity, and how humans get far from regality and dignity. Eventually, the story of Anjani against the monkeys becomes about humans against humans. Conceivably then, we glimpse a man who has been held convict all the while, and being a monkey is far more extricate than being humans.

    “Eeb Allay Ooo! has been shown in many regional and intentional film festivals. The movie premiered on May 30th on the ‘YouTube: A Global Film Festival.’ This indie movie is highly recommended, which cinema lovers should not miss. “Eeb Allay Ooo!” shows a mirror to that actuality. 

     

     

     

     

    comedy Eeb Allay Ooo foreign film India Indie monkeys satire
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘Celeste & Jesse Forever:’ When Love Hurts More than it Heals
    Next Article Review: ‘13th’ a Well-Executed and Extremely Relevant Documentary
    Arpit Nayak

    Arpit is a passionate writer and cinema lover. He likes to bring the combination of life and soul in his writing. He finds joy in traveling, sports, and music. He is inspired from these philosophies: “Strive not to be a success, but rather to be of value," and “You are never wrong to do the right thing."

    Related Posts

    Independent June 4, 2026

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    Drama June 3, 2026

    ‘The Currents’ Review: Taking the Plunge

    Bollywood June 3, 2026

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    Dark Comedy June 2, 2026

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    Western May 31, 2026

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    Horror May 30, 2026

    ‘Passenger’ Review: An Unremarkable Haunting Story with a Van-Life Twist

    1 Comment

    1. Matt on June 7, 2020 8:19 PM

      Thanks.. Going to Catch this movie…

      Reply
    Leave A Reply Cancel Reply

    Latest Posts

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    By Paul Emmanuel EnicolaJune 4, 20260

    ‘The Currents’ Review: Taking the Plunge

    By Kevin ParksJune 3, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    By Mark ZiobroJune 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Bollywood
    Bollywood

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    Sagar (Irrfan Khan), an ambitious musician rents a quaint cottage while awaiting his acceptance letter…

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260

    Halfway to Halloween: ‘Lekin…,’ a Time-Spanning Tale About Crossing Over to the Other Side

    By Vidal DcostaApril 22, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.