Close Menu
    Facebook X (Twitter) Instagram
    Friday, November 13
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    The Portsmouth Journals, Volume I by D.B. Zachary
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Media Partners
      • Terms of Use
      • Privacy Policy
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Home»12 Days of Christmas»Lady and the Tramp (G)
    12 Days of Christmas

    Lady and the Tramp (G)

    Matt DeCristoBy Matt DeCristoDecember 18, 2019No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    Released in the summer of 1955, “Lady and the Tramp” was the 15th Disney animated feature film and, like the beauty and fortitude found with old architecture or a classic car, demonstrates the ability to create something wonderful and perdurable in an era devoid of cheap animation and CGI effects. In fact, it was mere happenstance that I selected this film to watch some 64 years after its release when just a handful of weeks ago, Disney+ released a live-action adaptation of the original. While I haven’t watched the new movie, I feel pretty comfortable stating that it’s simply not as good.

    The Disney team excels at quality, and the production value is so strong it’s amazing to image how a handful of people were able to create the characters, in this case, anthropomorphized dogs which, let’s face it, we all love. Just a few minutes in and you’ll actually forget you are watching a cartoon.

    “Lady and the Tramp” tells a time-honored tail [sic]of forbidden love, and does so through the animated enjoyment that only Disney can provide. A loving husband presents his wife with a Christmas gift – an adorable puppy named Lady – who is quickly spoiled by her loving owners. Through a series of circumstances, the aristocratic canine is introduced to a street mutt and, in true Billy Joel ‘Uptown Girl’ fashion, the pair fall in love.

    Silent film star Barbara Luddy provides the voice for Lady, and it’s a natural fit. Luddy had a fifty-year career that included radio as well, and its proven here with a soft voice that sounds exactly as one would imagine the voice of a sheltered Cocker Spaniel to be. Likewise, comedian and voice actor Larry Roberts captures the sound and characteristics of the mangy Tramp. The main dogs are joined by a Scottish terrier named Jock, and a bloodhound named Trusty (voiced by Bill Thompson and Bill Baucom respectively) who further add to the comedy and light-hearted nature of the story.

    “Lady and the Tramp” has a tight running time of 76 minutes and its perfect. In that short span we get fun songs from composer Oliver Wallace, memorable villains including a pair of trouble making Siamese cats and a gruff dog catcher, and a particular scene involving a romantic spaghetti dinner. Never mind the fact that the characters are cartoon dogs. The animation is so on point, one can truly feel the emotion of each one though the simple means of their facial expressions and personalities, which the animators recreated through extensive research and observation of real life dogs.

    One interesting note, Walt Disney himself was prepared to cut the dinner scene from the final film believing that dogs eating spaghetti would look silly. The animators crafted it so well, it ultimately remained, and is now one of the most memorable as any love scene in any movie ever.

    The American Film Institute ranked “Lady and the Tramp” number 95 out of the “100 Greatest Love Stories of All Time” and with good reason. It’s a thoroughly enjoyable story told in a mesmerizing way that’s great for all ages. Use the Christmas backdrop as an excuse to watch it on a yearly basis, and to appreciate the value of a classic Disney production.

    1955 Barbara Luddy Lady and the Tramp Larry Roberts Peggy Lee Walt Disney
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleThe Muppet Christmas Carol (G)
    Next Article Little Women (PG)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Leave A Reply Cancel Reply

    Latest Posts

    Interview: How Rebekka Karijord’s Music Made Everest a Character in ‘Tenzing’

    By Paul Emmanuel EnicolaNovember 12, 20260

    ‘Once Upon a Time in Harlem’ Review: History Is a Conversation

    By Nathan FlynnNovember 12, 20260

    Peacock’s ‘Crystal Lake’ Fills in a Lot of Backstory but is Still Very ‘Friday the 13th’ in its Delivery

    By Mark ZiobroNovember 10, 20260

    Review: David Bianchi’s ‘Cyber Protocol’ is a Grim and Effective Indie Dystopia

    By Mark ZiobroNovember 9, 20260
    Bollywood
    Tribute

    Beyond the Archetype: a Look at the Characters Immortalized by the Late Nana Patekar

    By Vidal DcostaOctober 20, 20260

    A regular fixture and familiar face in cinema and stage, versatile actor Nana Patekar passed…

    An Unusual Ghost Story, ‘Phillauri’ is Bollywood’s Answer to ‘Corpse Bride’

    By Vidal DcostaSeptember 20, 20260

    ‘The Great Grand Superhero’ is More Effective than ‘The Happening’ in Promoting Green Living

    By Vidal DcostaJune 23, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff

    Follow Us

    Instagram Facebook X YouTube LinkedIn TikTok

    Subscribe

    Get the latest movie reviews, interviews, and features delivered straight to your inbox.

    You can unsubscribe anytime. For more information, please review our Privacy Policy and Terms of Use.


    Welcome to The Movie Buff!


    Thanks for subscribing! You'll receive our latest movie reviews, interviews, and features straight to your inbox.


    ABOUT

    About the Site Critics Press & Testimonials Media Partners

    EXPLORE

    Film Reviews TV/Streaming Film Festivals Interviews Indie Film Podcasts

    LEGAL

    Privacy Policy Terms of Use

    CONTACT

    Contact Us Advertise Join Our Team
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.

    ↑