Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Horror

    Hush (R)

    Adrianna Jakimowicz By Adrianna JakimowiczNovember 4, 2018No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    Directed and written by Mike Flanagan, “Hush” has to be on one of the most intriguing films I have watched in a while. It stars relatively unknown Kate Siegel as Maddie, a writer who lives in the middle of nowhere by choice, so she can focus on her writing. She has a friend who comes to visit her who the audience originally assumes is her neighbour, but as we find out later in the film she is just a friend who makes regular visits to check up on her. This premise, although initially seems quite unoriginal, opens up an interesting window of fascination to the audience when we come to find out that the character is actually deaf. Maddie lost her hearing to an illness that she developed as an adolescent (this is where the intrigue of the film comes in). 

    The premise of “Hush” is basically that a masked home invader discovers Maddie’s house and decides to torment her, unbeknownst to him that she is deaf. Upon further inspection the masked man realizes that Maddie is deaf and mute and this opens up a whole new window of opportunity to him as he lets her know he can come in at any time and initially the audience is scared for Maddie until we realise that we shouldn’t doubt this character for the rest of the film because she is quite honestly amazing. 

    Now let me just say, I appreciate a good old ghost or supernatural entity in a film, horror or otherwise. However this film doesn’t include any of that and I have to admit, the fact that the villain is simply a man, nothing more, really made this film feel abundantly more realistic and prompted me to ask myself “what would I do?” at almost every scene. 

    I love that Hollywood is now casting people of colour and members of the LGBTQ community, but it is also great to see that disability in cinema is becoming something of prominence also. In a typical horror film, an isolated female being terrorized is a detriment in itself; however, the fact that the character has a disability means that she must rely on her intelligence in order to make it out of the situation alive. Her heightened senses mean she can feel the vibrations of the house and sense tension. I believe that this praises difference in people whether male or female and highlights that if you have an inability it doesn’t mean that all hope is lost, which is thought provoking for a horror film. 

    “Hush” is available to watch on Netflix and I think you should definitely give it a try. It appeals to all of your senses and leaves you constantly on the edge of your seat. Remember to breathe throughout the film because the tension is real!  

    – by Adrianna Jakimowicz 

    deaf empowerment female fright horror Hush movie netflix thriller
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleEkaj (NR)
    Next Article Bohemian Rhapsody (PG-13)
    Adrianna Jakimowicz

    Adrianna is passionate about cinema and appreciates an unexpected plot twist. When she’s not watching films she’s talking about which one she is going to see next.

    Related Posts

    Drama June 16, 2025

    ‘Happy Birthday’ Tribeca Review: A Beautifully Grounded Portrait of Classism, Labor, and Girlhood

    Black Comedy June 16, 2025

    ‘Sister Midnight’ Review: Sapped of All Energy, a Defiant Domestic Goddess Bites Back

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    Movie Review June 10, 2025

    ‘The Day After’ Review: Epic TV Movie Demonstrates the 80s Don’t Hold Punches

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Happy Birthday’ Tribeca Review: A Beautifully Grounded Portrait of Classism, Labor, and Girlhood

    By Paul Emmanuel EnicolaJune 16, 20250

    ‘Sister Midnight’ Review: Sapped of All Energy, a Defiant Domestic Goddess Bites Back

    By Vidal DcostaJune 16, 20250

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Sister Midnight’ Review: Sapped of All Energy, a Defiant Domestic Goddess Bites Back

    By Vidal DcostaJune 16, 20250

    Trapped in a loveless marriage and repulsed by the repetitive need to conform, Uma (Radhika…

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.