Close Menu
    Facebook X (Twitter) Instagram
    Friday, June 5
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    31 Days of Halloween

    The Babysitter (TV-MA)

    Brynne RamellaBy Brynne RamellaOctober 29, 2018No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    “The Babysitter” is not a good movie, let me make that clear. But that is absolutely what makes it so damn entertaining. 

    This Netflix original stars Judah Lewis as Cole a nerdy 12-year-old who still has a babysitter. That babysitter is high schooler Bee (Samara Weaving) — beautiful, cool and funny. Bee watches Cole for a weekend while his parents are out of town, and his neighbor Melanie convinces him to stay up past his bedtime to see what happens after he goes to sleep.

    Cole sneaks to the balcony and witnesses what appears to be a game of spin the bottle among Bee and a group of her friends. As she goes to kiss the group’s nerdy newcomer, Bee suddenly drives two knives through his skull.

    This is where the fun begins. Surprise — Bee is in a satanic cult.

    Once Bee realizes that Cole has caught on to her cult’s murderous after school activities, the cult is out for more blood. Cole’s blood. 

    From here on out, the movie turns into a gory, campy blast. Director McG styles this movie as an ode to the teen slasher flicks of the 90s and early 2000s. He fulfils every trope from this genre’s canon. The hijinks are ridiculously over-the-top. Cole outwits each of his foes in completely unrealistic ways. While one of the cult members is literally in the middle of attempting to choke out Cole, he takes a beat to give Cole advice on how to best his relentless bully…right before he returns to attempting to murder Cole. 

    Pretty much every single scene has suspended the audience’s belief. None of these situations are slightly plausible, even for a horror movie. But what makes it work is that McG and his cast are completely self-aware of the kind of movie they created. 

    Each character is a stereotype from the movie playbook. You got your nerds, the hot cool girl, the jock, the bullies, the clueless parents, the girl next door, the cheerleader…I could go on. Each actor gives an over-the-top performance, spewing out sometimes cringeworthily bad dialogue, but completely committing to fulfilling the stereotype they were given. 

    The prime example being the cheerleader being shot in the boob. She whines and cries over the injury, but not because of the real possibility of bleeding out, but because she fears no boy will ever want to touch her again. While the majority of these performances are completely outrageous, there are a couple of scene stealers in the cast — namely Leslie Bibb and Ken Marino as Cole’s parent’s and Andrew Bachelor as cult member John.

    Does “The Babysitter” deserve any kind of award? God no. But it’s a blast from start to finish. It’s a modern day B-movie, worthy of a cult following. It’s a deliciously silly movie perfect for horror movie buffs.  

    – by Brynne Ramella 

    b movie comedy Halloween horror netflix The Babysitter
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleProm Night (R)
    Next Article Coraline (PG)
    Brynne Ramella
    • Website

    Brynne is a lifelong lover of movies and cannot remember a time where she wasn’t constantly offering her unsolicited movie reviews to anyone who would listen. She hails from Chicago and is lucky enough to live down the street from what she considers to objectively be the best theater in the city. Tweet your movie recommendations to her at @brynneramella. You can also catch her on ScreenRant and The Playlist.

    Related Posts

    Independent June 4, 2026

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    Drama June 3, 2026

    ‘The Currents’ Review: Taking the Plunge

    Bollywood June 3, 2026

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    Dark Comedy June 2, 2026

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    Western May 31, 2026

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    Horror May 30, 2026

    ‘Passenger’ Review: An Unremarkable Haunting Story with a Van-Life Twist

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    By Paul Emmanuel EnicolaJune 4, 20260

    ‘The Currents’ Review: Taking the Plunge

    By Kevin ParksJune 3, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    By Mark ZiobroJune 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Bollywood
    Bollywood

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    Sagar (Irrfan Khan), an ambitious musician rents a quaint cottage while awaiting his acceptance letter…

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260

    Halfway to Halloween: ‘Lekin…,’ a Time-Spanning Tale About Crossing Over to the Other Side

    By Vidal DcostaApril 22, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.