Close Menu
    Facebook X (Twitter) Instagram
    Monday, November 2
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    The Portsmouth Journals, Volume I by D.B. Zachary
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Media Partners
      • Terms of Use
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Found Footage

    Heidi (R)

    Matt DeCristoBy Matt DeCristoJuly 18, 2018No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    The trailer for the 2014 found footage flick “Heidi” made it look like an intriguing independent horror film with some promise. Dolls are creepy by nature and a personal phobia of mine.

    The premise; two teen boys discovering a possessed titular toy and begin to experience strange things was something that compelled me to watch. While I won’t shred every aspect of this movie, I will offer this: The characters, albeit unintentional, are comical enough to keep you going throuhgout. In fact, they often seem to be unaware that a movie is being filmed. If “Heidi” were a spoof type comedy renamed “How Not to Make a Movie,” it would get an A+.

    As a devout student of the Found Footage genre, the emphasis for success generally lies with two key factors. The found footage element needs to be something done as an important device for telling the story. It can’t just be a crutch for bad writing and the creative bankruptcy that is Hollywood in 2018.

    With “Heidi,” the primary characters Ryan and Jack (Samuel Brian and Joey Bell) are friends who run their own YouTube channel in which they film themselves performing a variety of pranks. The fact that they are recording themselves at the start of the movie actually makes sense. Ryan specifically is an aspiring filmmaker, and a fan of cinema as evidenced by the classic movie posters that line his bedroom walls or his female dog, aptly named Cuja.

    Daniel Ray presents the story with a variety of options, from Ryan’s camcorder to hidden Nanny Cams and GoPros. While it starts out realistic in today’s social media fame hungry world, towards the end its a bit foolish to think that Ryan would be carrying a camera and recording in lieu of obvious time pressing peril. The story itself is one that’s been done before, with sinister dolls like Chucky and Annabelle putting the chills down your spine. But unlike “Annabelle,” the Heidi doll itself isn’t particularly grievous to look at and the aspects of the haunting are tame at best.

    Equally critical to the success of a Found Footage film is the on screen performances of the cast. Since its supposed to be real, the genre requires an extra degree of acting as characters must display emotions and actions as an ordinary person would. The acting in “Heidi” is woeful from all parties. Brian and Bell are somewhat decent at times, but it becomes evident that the more dialogue they speak the weaker the performances get, seeming like they are talking just for the sake of talking. Potential Scream Queens come in the form of Ryan’s sister Rachel (Eva Falana), love interest Amanda (Joei Fulco), and mother (Diem Bell) but each is ineptly awful at delivering lines in a believable way. The handful of scary scenes in “Heidi” are nullified by poor acting, and all parties are guilty.

    What adds to the failure of the movie are the little things that somehow get overlooked, with blame falling solely with the creator/writer/director, Daniel Ray. The local news reporter (Brooke Mackenzie) deliverers ridiculous thing like describing how a dead body was found, and a cheesy and overly stereotypical psychic are the kinds of things that make it more a spoof than a horror film. None of the characters are dressed appropriately for Las Vegas in July, and it gets distracting at times as they play out their parts amidst the desert backdrop.

    It seems unbelievable that once Ryan has confirmed that Heidi is in fact alive and moving on its own, he has no problem whatsoever falling soundly asleep with the doll sitting a few feet away in the closet, and just once I would like to see a parent act in a normal way. Like, kid who never causes trouble shows mom actual footage of the doll moving at night and the mom is convinced its either a trick or the wind. I understand the need for skepticism that a doll is possessed, but do you really think the wind murdered the old lady down the street? I digress.

    I’ll praise Daniel Ray with this. The ending scene is one of the scariest and better piece of horror you will find out there. It’s a shame this type of zest and creativity wasn’t employed throughout. “Heidi” is a tough movie to find, staring actors that are equally inconspicuous. It’s a bad movie, but for some reason, it’s not completely unpleasant to watch.

    by – Matt DeCristo

    2014 Heidi Joei Fulco Joey Bell Samuel Brian
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleChappaquiddick (PG-13)
    Next Article Knocked Up (R)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Movie Review February 26, 2022

    Review: ‘Mixology’ Perfect Thirteen-Episode Binge Watch

    Comedy February 26, 2020

    The Monuments Men (PG-13)

    31 Days of Halloween October 7, 2019

    Ouija (PG-13)

    Leave A Reply Cancel Reply

    Latest Posts

    ‘The Only Living Pickpocket in New York’ Features Clever Writing and an Enjoyable John Turturro

    By Adam CourtliffOctober 31, 20260

    ‘New Fears Eve’ is a B-Horror Slasher Fest that’s Fun Despite its Straight-to-Video Feel

    By Mark ZiobroOctober 31, 20260

    ‘Carrie’ Review: Mike Flanagan Reboots Iconic Horror Character with New Amazon Series

    By Matt DeCristoOctober 31, 20260

    Press Release: Actress/Playwright Manjiri Pupala’s One-Woman Show, ‘Manjiri Matching Centre’

    By Vidal DcostaOctober 30, 20260
    Bollywood
    Tribute

    Beyond the Archetype: a Look at the Characters Immortalized by the Late Nana Patekar

    By Vidal DcostaOctober 20, 20260

    A regular fixture and familiar face in cinema and stage, versatile actor Nana Patekar passed…

    An Unusual Ghost Story, ‘Phillauri’ is Bollywood’s Answer to ‘Corpse Bride’

    By Vidal DcostaSeptember 20, 20260

    ‘The Great Grand Superhero’ is More Effective than ‘The Happening’ in Promoting Green Living

    By Vidal DcostaJune 23, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.