Close Menu
    Facebook X (Twitter) Instagram
    Saturday, March 7
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Featured

    Scream 4 (R)

    Mark ZiobroBy Mark ZiobroNovember 18, 2011No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Scream 4
    Share
    Facebook Twitter Email Copy Link

    When “Scream” first premiered in 1996, it was, honestly, a scary movie. From the opening scene, which pitted Drew Barrymore against the sinister killer, Writer Kevin Williamson and Director Wes Craven had our attention. A legion of sequels in its wake violated this rule, especially parody remakes such as “Scary Movie,” making it hard to remember the movie for what it was–a highly original slasher film that rested deferentially on the laurels of its predecessors, such as 1978’s “Halloween” and 1980’s “Friday the 13th.”

    The original film starred Neve Campbell as Sidney Prescott–a girl whose mother had been murdered a year before, who now found herself, and her friends targeted by a serial killer who could be anywhere or anyone. This plot, and a hip cast such as Matthew Lilliard, Rose McGowan, and Skeet Ulrich captivated audiences, and, for a short amount of time, redefined the idea of the slasher film.

    The subsequent two sequels, however,  had little to offer in the way of plot or genuine frights. Where the first movie’s killers haddirection and true motive, sequels relied on working killers into the set of “Stab” movies — supposed ‘movies within a movie’ chronicling the story of the first movie’s victim, Sidney Prescott (Neve Campbell). Given this fact, plus the fact that the last “Scream” sequel was released eleven years ago in 2000, it was surprising to see that Wes Craven, the mind behind such movies, as “A Nightmare on Elm Street,” and “Last House on the Left” and Kevin Williamson had teamed up again to write “Scream 4.” However, if audiences were expecting a brand-new, refreshing look on the genre, they would be, unfortunately, disappointed by what “Scream 4” brings to the table.

    The movie begins with two girls watching one of the “Stab” films, and the scene quickly degenerates into one red herring after another: we simply do not know when victims are killed, whether or not it really happened, or  if it is part of this “movie within a movie” premise. Shortly thereafter, we are introduced to the main characters of the film: There is Sidney Prescott (Neve Campbell, resuming her role), returned home to Woodsboro, promoting a new book on her life. There is also Deputy Dewey from the first film (David Arquette), now the town Sheriff, though just as comical a character as ever. He is married to Gail Weathers (Courtney Cox), and fans of the series will probably be glad to see these two have stuck it out since their romance in the first film.

    Here we are also introduced to the new plot (or at least the one that filmmakers want us to believe)–that Sidney’s cousin Jill’s (Emma Roberts) life is in danger, as the Ghostface killer has seemed to have targeted her and her friends upon Sidney’s return.

    The chain of events that follows is pretty par for the course for any “Scream” film– a slew of suspected, would-be killers are presented, presenting a “who dunnit?” mystery which audiences must try to solve before the closing credits.

    Being a horror movie, the film does offer some genuine frights, such as one well-developed scene which takes place in a haystack during a ‘Stab’ party, involving the use of webcams to invoke horror, as well as the use of cell phones and caller ids to trick up audiences as to who is calling–character’s friends or the iconic ‘Ghostface.’ The film also has a slew of other horror movie tactics to hold audience’s interest, such as romantic sub-plots, homages to the preceding films, and, of course, the infamous twist at the end of the film (there are actually several, and to give away more would spoil the movie for anyone who has not seen it–rent it on DVD or Blu-ray and see for yourself).

    All in all, “Scream 4” isn’t a total waste, and shouldn’t be written off as such. It has some highs, and has some lows, and more than likely has something for everyone. However, if you’re looking for original, horror-driven material, you’re better off raiding your local video store for unseen 80s cult classics, or renting the original “Scream” — long before ‘Ghostface’ became a horror icon and was actually scary.

    – by Mark Ziobro

    Coutney Cox David Arquette Kevin Williamson Neve Campbell Scream 4 Wes Craven
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘Notes on a Scandal’ an Intriguing, if Creepy Film, with Great Performances from Cate Blanchett and Judi Dench
    Next Article The Next Three Days (PG-13)
    Mark Ziobro
    • Website
    • Facebook
    • X (Twitter)
    • Instagram
    • LinkedIn

    Mark is a lifetime film lover and founder and Chief Editor of The Movie Buff. His favorite genres are horror, drama, and independent. He misses movie rental stores and is always on the lookout for unsung movies to experience.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Horror February 28, 2026

    Why Do We Keep Returning to the ‘Scream’ Films?

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Sisa’ Review: When ‘Madness’ Becomes an Act of Resistance

    By Paul Emmanuel EnicolaMarch 6, 20260

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.