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    The Movie Buff
    Documentary

    ‘The Ride Ahead’ DOC NYC 2024 Review: Reframing Disability as a Celebration of Possibility, Not Limitation

    Paul Emmanuel Enicola By Paul Emmanuel EnicolaDecember 3, 2024No Comments5 Mins Read
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    Samuel Habib in a scene from “The Ride Ahead”
    Samuel Habib in a scene from “The Ride Ahead” (Photo: DOC NYC, 2024).
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    Disability has often been presented as a barrier to achieving “normal” human experiences, but in “The Ride Ahead,” Samuel Habib disrupts this narrative with an inspiring and intimate documentary about his life. Right from the outset, Habib invites the audience to think about the biggest risk they have ever taken in their lives. This deceptively simple question is central to the film’s candid exploration of his experiences as a young man living with a severe form of cerebral palsy called GNAO1.

    Co-directed by Samuel’s father, Dan Habib, the film balances raw honesty with an undeniable sense of optimism. And as Samuel shares his aspirations—finding love, achieving independence, embracing adulthood—he shifts the focus from pity to respect, not only demanding a fair seat at the table but insisting on his right to be seen as fully human.

    A Question That Shifts Perspectives 

    “What is the biggest risk you have taken in your life?”

    This simple yet profoundly disarming question opens the film that, far from asking for sympathy, instead challenges audiences to reexamine their understanding of what it means to live fully. With that question, Samuel’s wheelchair-mounted cameras provide the audience a literal perspective shift, immersing viewers in his day-to-day experiences. 

    From navigating inaccessible public spaces to confronting patronizing treatment—even from well-meaning people—the film captures the constant negotiation required for him to move through a world that often overlooks the disabled. One particular scene where an airline damages Samuel’s wheelchair, despite his father’s meticulous efforts to prevent it, is as infuriating as it is illuminating. If anything, these moments lay bare the daily indignities disabled individuals endure and challenge audiences to question the systems that perpetuate them.

    Yet the heart of “The Ride Ahead” lies in Samuel’s quest to embrace adulthood in all its messy complexity. As he prepares for college, he worries about making friends, finding love, and achieving independence—universal concerns that take on heightened stakes given his circumstances. What makes his story interesting, however, is the unique path he must navigate.

    To help him with the transition, Samuel seeks guidance from trailblazing figures in the disability rights movement, including the late Judy Heumann and Tony-winning actress Ali Stroker. These interviews are rich with insight and warmth, as they candidly explore topics like overcoming societal prejudice, achieving career success, and building romantic relationships. More importantly, they talk about their battles with a system that hasn’t always made room for them.

    For Samuel, these conversations offer both mentorship and validation. But for viewers, they provide a deeper understanding of the resilience and complexity of living with disabilities.

    A scene from “The Ride Ahead”
    A scene from “The Ride Ahead” (Photo: DOC NYC, 2024).

    A Call for Respect, Not Pity

    One of the most powerful choices in “The Ride Ahead” is its refusal to frame Samuel’s life as a tragedy. The film’s opening, featuring animated title cards accompanied by upbeat music, tells you right away that this is not a film of sorrow or self-pity, but one of radical optimism. It’s a film that refuses to conform to the typical narrative of the disabled experience as one marked by perpetual struggle. This filmmaking choice sets the tone early on by showing us that Samuel’s life is about resilience, about pushing against societal constraints, and most importantly, about living fully.

    From those touches to Samuel’s often humorous commentary, the documentary insists on celebrating possibility rather than focusing on limitation. Samuel doesn’t ask for sympathy; instead, he demands respect, autonomy, and access.

    The film also asks tough questions of its audience. Why do well-meaning strangers infantilize Samuel? Why is basic transportation still such a fraught experience for people with disabilities? These moments are uncomfortable to watch but are nonetheless necessary. They remind us how deeply ableism is ingrained in everyday life, often going unnoticed by those who don’t face it.

    More DOC NYC Coverage: ‘Yalla Parkour’: An Intimate Juxtaposition of a Gravity-Defying Sport and a War-Torn Land

    Samuel Habib getting a tattoo
    Samuel Habib getting inked in a scene from “The Ride Ahead” (Photo: DOC NYC, 2024).

    ‘The Ride Ahead’: A Road Paved with Possibility

    More than a documentary, “The Ride Ahead” is a rallying cry for a world that truly embraces inclusion. It succeeds not by sensationalizing Samuel’s challenges but by showing his determination to thrive on his own terms. His voice, expressed through an electronic communication device, speaks volumes about the power of agency and self-expression.

    Ultimately, Samuel’s journey is as universal as it is unique. I feel that this is where the film’s heart is: Dan and Samuel invite viewers to reconsider their assumptions about disability and envision a more inclusive future. This is a moving, eye-opening film that challenges and inspires in equal measure, reminding us that the greatest risk we can take is to see the world—and each other—with fresh, accepting eyes.

    The Ride Ahead has a rating of B+ from The Movie Buff staff

     

     

     

     

     

    Dan Habib and Samuel Habib’s “The Ride Ahead” screened in the Special Presentation section at this year’s DOC NYC. The festival ran from November 13 to December 1, 2024. Follow us for more coverage.

     

    ableism Dan Habib disability DOC NYC documentary Samuel Habib The Ride Ahead
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    Paul Emmanuel Enicola
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    Paul is a Tomatometer-approved film critic inspired by the biting sarcasm of Pauline Kael and levelheaded worldview of Roger Ebert. Nevertheless, his approach underscores a love for film criticism that got its jumpstart from reading Peter Travers and Richard Roeper’s accessible, reader-friendly reviews. As SEO Manager/Assistant Editor for the site, he also serves as a member of the International Federation of Film Critics (FIPRESCI) and the Society of Filipino Film Reviewers.

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