Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Movie Review

    Review: ‘The Silence’ Mimics More Popular Movie with Inferior Results

    Matt DeCristo By Matt DeCristoOctober 13, 2024No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    The Silence
    Stanley Tucci and Kiernan Shipka in "The Silence." (Photo: Netflix, 2019).
    Share
    Facebook Twitter Email Copy Link

    Technicalities out of the way first.

    Tim Lebbon published “The Silence”–a horror novel about gruesome monsters that hunt by sound–in 2015. Netflix began production on a movie based on said novel. In 2018, “A Quiet Place” dropped and became one of the best horror films of all time. In 2019, Netflix finally released “The Silence” which seems like a generic rip-off of “AQP” but in reality, it started first.

    Dark Helmet voice – everybody got that?

    “The Silence” was directed by John R. Leonetti and features a great cast. Whilst plots between it and “AQP” are similar; both movies follow a family (including a deaf daughter) as they navigate survival in a new world of silence. Both worlds are under attack from beasts that hunt by sound and demolish anything that makes noise. “The Silence” falls far short of its predecessor.

    A scene from “The Silence.” (Photo: Netflix, 2019). 

    The film starts with the genesis of the monsters. Prehistoric winged gargoyle type pterodactyls that are small but fly and number in the millions. The creatures are accidentally released from caverns beneath the Appalachian Mountains and immediately seek to satisfy their bloodlust.

    The Andrews family

    The great Stanley Tucci plays Hugh Andrews. Hugh is the standard patriarch. Hard working loves his kids. Tucci rules with anything he touches, and I’ll never say a disparaging word.

    Miranda Otto plays Kelly, the wife and mother. Kate Trotter plays Lynn, the grandmother who is suffering from cancer. Kiernan Shipka and Kyle Harrison Breitkopf play the kids, Ally and Jude. My boy John Corbett plays Glenn–Hugh’s business partner and lifelong best friend.

    Where “A Quiet Place” succeeds is the devotion to following the family. We know and love those characters and by the end, understand all of their motives and intentions. Here, there are too many characters to really get invested in any of them in a 90-minute run time.

    The Andrews family (Photo: Netflix, 2019)

    We see over the top bullies picking on Ally (Kiernan Shipka) who lost her hearing after a car accident. This sets up why the family is adept at signing and living in silence but its not nearly as impactful. I love the addition of Glenn, a defacto tough guy Uncle. I laughed out loud when he joked with Hugh about being single. Hugh responds with a line to the effect of “someday you’ll understand when you have kids.” Corbett was 58 at the time of filming.

    ‘AQP’ meets ‘The Mist’

    Its on Netflix and its PG-13. Don’t let that fool you. There are several graphic and bloody deaths throughout the picture. One impactful scene shows a woman with a crying baby, and the terror of those around her as they sit in silence. And another great but bloody moment depicts Stanley Tucci’s character and a woodchipper. Unlike “AQP” we see a lot more of the monsters, with results varying from cool aerial shots to cheesy CGI.

    “The Silence” also plays loose with its own rules. The characters pick and choose when they will be silent and how much silence is required. The monsters themselves are noisy AF.

    “The Silence” has flaws aplenty. But I watched from start to finish with rapt attention. It’s inferior to ‘A Quiet Place” but still digestible as a fun horror flick. The movie is available on Netflix.

     

     

     

     

    John Corbett Kate Trotter Kiernan Shipka Miranda Otto Stanley Tucci
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous Article‘April’ NYFF 2024 Review: Dea Kulumbegashvili Staggers with Her Visual Language in Piercing Abortion Drama
    Next Article ‘The Shrouds’ NYFF 2024 Review: Cronenberg Live-streams the Dead
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    Movie Review June 10, 2025

    ‘The Day After’ Review: Epic TV Movie Demonstrates the 80s Don’t Hold Punches

    Movie Review June 9, 2025

    ‘High School U.S.A.’ Review: Old World Made for TV Comedy

    Action June 9, 2025

    ‘Ballerina’ Review: Blood, Sweat, and Ballet

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    By Paul Emmanuel EnicolaJune 11, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    A curious trend emerged across several films at this year’s Tribeca Festival: characters retreating to…

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250

    ‘On a String’ Tribeca Review: Isabel Hagen’s Viola-Playing Heroine Finds Humor in Stagnation

    By Paul Emmanuel EnicolaJune 8, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.