Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Biography

    ‘The Promised Land’ Review: Mads Mikkelsen Returns with a Engaging and Exploratory Historical Epic

    Arpit Nayak By Arpit NayakFebruary 20, 2024No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    The Promised Land
    Mads Mikkelsen in a scene from "The Promised Land." (Photo: Zentropa Entertainments).
    Share
    Facebook Twitter Email Copy Link

    Historical films possess an aura that enhances their film-likeness compared to other films. Experiencing how things were before we were born in the past is a truly remarkable prospect.

    Nikolaj Arcel’s return to the big screen is marked by “The Promised Land,” following the failure of the “Dark Tower” film adaptation. Having just achieved the pinnacle of his career with “A Royal Affair”—a remarkable historical fiction film in recent memory—his reputation was tarnished after this failure. But Arcel and Mads Mikkelsen are returning to the Promised Land. Arcel has made a clear effort to rebuild his reputation as a filmmaker, and has been successful in doing so.

    A Tale of Greed and Reckless Ambition

    “The Promised Land” is a novel adaptation of Isa Jessen’s “The Captain and Ann Barbara.” The story concerns Captain Ludvig Kahlen, a low-ranking officer in the German army who is retired. His objective is to obtain authorization to construct a farm in the vast heath fields of Denmark. If he is successful, not only will he be the first person to accomplish this task, but he will also be awarded the specific type of property—a noble title that he has been striving to earn his entire life. He cannot hire enough workers for the job because of his limited funds. He swiftly gets into an altercation with Frederik de Schinkel (Simon Bennebjerg). A nearby landowner is not interested in cultivating the land, but is concerned about the impact Kahlen’s efforts could have on their wealth.

    Kahlen and De Schinkel are fighting to regain control of the Danish countryside. “The Promised Land’s” foundation is designed to examine its themes of class, greed, and reckless ambition.

    The Promised Land
    Melina Hagberg and Mads Mikkelsen in “The Promised Land.” (Photo: Zentropa Entertainments).

    Arcel’s work in the film is not only accurate but also excellent, particularly in the way the premise is introduced and the characters are examined. The story’s setting is enhanced by the damp atmosphere that matches the characters. The way these people move, talk, and go about their daily lives is a testament to their tiredness. Arcel is able to create some very eye-catching pieces.

    Mikkelsen Truly Shines

    Dan Romer, who was responsible for scoring the “Station Eleven” miniseries, creates a score that elevates both the dramatic and tender moments equally. The score is only somewhat memorable when it’s accompanying the images, but it’s effective in enhancing the scenes.

    Mads Mikkelsen has earned a reputation as one of the best Danish actors; he is truly exceptional. His ability to remain silent is complemented by his unique facial features, which allow him to express a diverse range of emotions. He produces a natural feeling for Kahlen’s journey, while making it equally important as his work for his country. Mikkelsen’s effect on-screen is so remarkable that it’s worth watching just for his presence.

    Amanda Collin’s performance is one of the main highlights in the movie. In her portrayal, Ann Barbara is a woman who has experienced enough hardships in life and sees Kahlen’s venture as a fresh start. It feels like a match made in heaven to have Collin alongside Mikkelsen, who is a talented person. 

    A Tale that Deserves to be Watched

    The Promised Land
    Mads Mikkelsen in a scene from “The Promised Land.” (Photo: Zentropa Entertainments).

    “The Promised Land” is a remarkable historical fiction piece, aided by outstanding performances. It’s a story that will make your heart race. Even though the movie’s last stretch is incomplete, there is still enough here to make it worth seeing.

    Mikkelsen, Collin, and the entire cast deliver powerful performances, making this one of the best movies. By exaggerating Ludvig Kahlen’s life, Arcel illustrates the complexity of the European nation’s history of invasion and conquest. The beautiful landscapes of the Danish Jutland heath are showcased in Arcel’s exhilarating story, despite the fact that they have to overcome several conflicts and small battles.

    “The Promised Land” is a compelling dramatic tale that deserves to be watched.

     

     

     

     

    “The Promised Land” is available to watch on most streaming networks.

    Amanda Collin Biography class history Land Ludvig Kahlen Mads Mikkelsen Nikolaj Arcel Simon Bennebjerg streaming wealth
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous Article2023 Lookback: The Best Films of the Year, According to Movie Buff Critics
    Next Article ‘Beethoven’ Review: Fun Family Film About a Big A** Dog
    Arpit Nayak

    Arpit is a passionate writer and cinema lover. He likes to bring the combination of life and soul in his writing. He finds joy in traveling, sports, and music. He is inspired from these philosophies: “Strive not to be a success, but rather to be of value," and “You are never wrong to do the right thing."

    Related Posts

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    TV Series June 11, 2025

    TV Review: How Seth Rogen’s ‘The Studio’ Marries Art and Commerce—and Why It Resonates as a Masterpiece

    Movie Review June 10, 2025

    ‘The Day After’ Review: Epic TV Movie Demonstrates the 80s Don’t Hold Punches

    Movie Review June 9, 2025

    ‘High School U.S.A.’ Review: Old World Made for TV Comedy

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    By Paul Emmanuel EnicolaJune 11, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    A curious trend emerged across several films at this year’s Tribeca Festival: characters retreating to…

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250

    ‘On a String’ Tribeca Review: Isabel Hagen’s Viola-Playing Heroine Finds Humor in Stagnation

    By Paul Emmanuel EnicolaJune 8, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.