Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Movie Review

    Review: ‘A Storm for Christmas’ Netflix Series all the way from Norway

    Matt DeCristoBy Matt DeCristoDecember 13, 20231 Comment3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Julestorm. Ibrahim Faal. Cr. Courtesy of Netflix © 2022
    Share
    Facebook Twitter Email Copy Link

    “A Storm for Christmas” is a 2022 Netflix limited series consisting of six-episodes. I watched it last year and thought about it often over the ensuing months. I revisited it again and have concluded it’s an excellent holiday show.

    It’s a Norwegian production, with names and faces that most of us Stateside wouldn’t recognize. Per-Olav Sørensen serves as director and is one of many writers. The English dubbing isn’t as distracting as it often is. It’s massive ensemble cast bring their own story. Love, greed, humor, sadness – there’s something for everyone.

    what’ll it be, Mr. Torrance?

    The story is set at Oslo International Airport. It’s December 23, and a massive snowstorm has stranded thousands of travelers. I love movies/shows like this. A singular location (for the most part) with a group of strangers each doing their own thing. We are gradually introduced to the bevy of characters we are about to follow. The entire series takes place in a single night.

    Lots of Subplots

    There are too many characters to list. Many of which are identified only by their job or reason for being at the airport. A young woman (Thea Sofie Loch Næss) is searching for father whom she has never met. A famous pop singer (Ida Elise Broch) struggles with her fame. A mother (Ariadna Cabrol) needs to get her son to New York for an expensive surgery. Diana (Hanna Ardéhn) is a hapless romantic en route to Paris. The Christmas scrooge element is represented by a rich, rude lawyer (Alexandra Rapaport) and a gruff pianist (Dennis Storhøi).

    A Storm for Christmas

    My favorite characters were a garrulous traveler, played by Jan Gunnar Røise, a cute priest (Maibritt Saerens) and a hysterical Santa (Ibrahim Faal) who we first meet as he’s chastising a little girl who wants an expensive present. The all-night lounge is manned by a bartender (Jon Øigarden) who offers his pearls to anyone that will listen.

    And that didn’t cover half of the characters.

    “A Storm for Christmas” is great because of its fast-paced format. The direction jumps from person to person and their own entanglements. By the second episode we feel like we know all these people. By the end, we will also care for all of them.

    Love is in the air(port)

    Nameless strangers at an airport rarely get the opportunity to mingle. Here, they are brought together by circumstance, and learn to co-exist in an organic and peaceful way. At least for the night.

    “A Storm for Christmas” is an excellent series. Give it a shot for some festive laughs in an unusual format. It may land a spot in your seasonal rotation.

     

     

     

     

    “A Storm for Christmas” is available to stream on Netflix.

    Alexandra Rapaport Ariadna Cabrol Dennis Storhøi Jan Gunnar Røise Maibritt Saerens
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘Godzilla,’ the 1954 Franchise Opener, Still Stands as Strong Historical Significance 33 Films Later
    Next Article Review: ‘The Christmas Promise’ Torrey DeVitto Perfect but Movie anything but Merry
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Romance February 23, 2026

    ‘The Loved One’ Review: Why Some Relationships Still End, Even When Love Doesn’t

    1 Comment

    1. Alison on January 7, 2024 6:26 AM

      I agree 100% but would strongly urge people to listen in the original language and have subtitles, especially if you’re watching for the second (or third!) time, when you already have a sense of what’s going on. However good the dubbing is, you’re getting a dislocated experience, with the human being presented in front of you fractured into two people. The acting is wonderful in this series, and that includes the voice work. Work of this quality deserves that we maybe do a bit of work too.

      Reply
    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.