Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Movie Review

    Revisited: ‘The Texas Chainsaw Massacre’ A Staple of Horror Cinema

    Matt DeCristoBy Matt DeCristoOctober 30, 2022No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Dinner is served
    Share
    Facebook Twitter Email Copy Link

    “The Texas Chainsaw Massacre” is a staple of horror films. Sitting down to watch in 2022 as a more polished analyst, I was able to better appreciate it for what it is, more so than what it isn’t.

    Released in 1974, “Massacre” is the product of filmmaker Tobe Hooper. Its simplicity reminds us of an indie. Hooper’s directorial prowess makes it stand out as a somewhat artsy film. Shots linger on grisly images. The framing is intentional, and the scares genuine. Its haunting realism would have been shocking for viewers at the time.

    I think we just picked up Dracula

    Disregard the litany of nonsensical sequels and reboots, the original is where true terror resides. A van full of mostly annoying hippies makes the mistake of getting lost in rural Texas. They wander into an old farmhouse. Bad things ensue.

    Literally terrifying

    Tobe Hooper chose to film “The Texas Chainsaw Massacre” in his home state of Texas. The authentic location adds to the isolation and strangeness the characters are in. Several of the more frightful moments occur in broad daylight, a rare occurrence for the genre.

    Most of the characters are annoying at best. But a few work. Marilyn Burns plays Sally, the undeniable scream queen of the film. Sally has the pleasure of getting the most screen time and it’s a positive since she’s the best of the bunch. It’s an emotional performance, and Burns is excellent at conveying sheer terror like no one else I’ve witnessed. Her only line the entire second half of the movie is literally “Ahhhh.”

    My family’s always been in meat

    Edwin Neal is excellent as the sinister hitchhiker. Gunnar Hansen plays the iconic Leatherface. An industrial score accompanies each scene in an effective way. The news reports at the start indicate the events are real. Unlike other horror movies, we can actually believe it here.

    Marilyn Burns plays distraught like none other

    At 84 minutes, it’s still somehow a bit too long. The opening act is painfully sloppy. The viewer knows from the title, and the news reports at the start, mayhem is going to occur. It’s a slow burn to say the least. Once the action starts, it’s chilling to say the least. With the visceral imagery and harrowing situation, its much more disturbing than scary.

    “The Texas Chain Saw Massacre” is a memorable film. On my second viewing, I was able to appreciate the film aspects and the legacy a bit more. I won’t pretend to love it. Nor would I say I want to watch it again and again. But it deserves to be lauded amongst the horror community.

     

     

     

     

    “The Texas Chainsaw Massacre” is currently available to stream on Amazon.

    Support the Site: Consider becoming a sponsor to unlock exclusive, member-only content and help support The Movie Buff!

    Gunnar Hanson Marilyn Burns Tobe Hooper
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘Goodnight Mommy’ (2014) is a Horror Film for the Straight-Up Horror Fan
    Next Article Review: The Short Horror ‘Other Side of the Box’ Features Unique Scares and Good Production
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Horror February 28, 2026

    Why Do We Keep Returning to the ‘Scream’ Films?

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.