Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Movie Review

    Review: ‘The Exorcist III’ One Great Scene Doesn’t Save this Garbage

    Matt DeCristo By Matt DeCristoOctober 7, 2022No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    “The Exorcist III” contains a scene thought by some to be the scariest moment in movie history. Even if I were to agree, one single scene doesn’t make up for this God awful picture.

    It does feature the great George C. Scott as Lieutenant William F. Kinderman; a hardened detective bent on stopping a serial murderer known as The Gemini Killer. There are some creepy images of statues opening their eyes. Oh yeah, and the aforementioned scariest scene ever.

    Those facets are not nearly enough.

    “Exorcist III” stumbles into the same pitfall as “Exorcist II” namely it isn’t scary. It’s as if they didn’t even try. Like they forgot the name of the movie, or something. As if they – gasp – used the name The Exorcist as a simple ruse to get people to go and see it. Sure there are some forced references to the original, but it could and should just be its own murder mystery movie. Which would still suck but at least it would be honest.

    General Patton vs Evil

    I first saw George C. Scott in the 1997 remake of “Twelve Angry Men.” He’s a storied actor and Academy Award winner. Here, you can see why. He has a knack for playing cantankerous jerks. His voice lends itself to being angry, and we do get that quite a bit in this movie. He’s a cop who doesn’t believe in mythical stuff. His best friend is a priest (Ed Flanders) but he isn’t religious. He’s fun to watch on screen and makes dull scenes almost tolerable on his acting prowess alone.

    Its 110 minutes that plod along like a glacier. There’s a lot of talking. I mean a LOT. The entire second act – which occurs in a hospital where the epic scene takes place – is literally George C. Scott’s character going around interviewing people. Yawn.

    even Jesus is like bro…wtf is with this movie?

    And they commit the cardinal sin of horror. They include a dream scene. And it literally has Fabio in it.

    The scene

    So let’s get to the scene. It’s good. I’ve watched better, but this one does belong in the upper echelon. It’s framed perfectly. It includes tension, fake-outs, and a chilling atmosphere. Never mind that it doesn’t make any sense with the rest of the story. It’s quite good. You can either watch this entire movie (hoping you don’t fall asleep) to see it, or watch it on YouTube. Hint – YouTube is a better option.

    “The Exorcist” has its place in horror movie history. Both sequels are worthless. I hear they are talking reboot. Sigh.

     

     

     

     

     

    “The Exorcist III” is currently only available to watch in theaters.

    Support the Site: Consider becoming a sponsor to unlock exclusive, member-only content and help support The Movie Buff!

    Brad Dourif Exorcist George C. Scott
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleNYFF 2022 Review: ‘Exterior Night’ is a Sharply Executed Political Thriller
    Next Article Review: ‘Hellraiser’ (2022) Isn’t Perfect, but a Fitting Return to Barker’s Source Material and Adequately Tormenting
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    Movie Review June 10, 2025

    ‘The Day After’ Review: Epic TV Movie Demonstrates the 80s Don’t Hold Punches

    Movie Review June 9, 2025

    ‘High School U.S.A.’ Review: Old World Made for TV Comedy

    Action June 9, 2025

    ‘Ballerina’ Review: Blood, Sweat, and Ballet

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    By Paul Emmanuel EnicolaJune 11, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    A curious trend emerged across several films at this year’s Tribeca Festival: characters retreating to…

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250

    ‘On a String’ Tribeca Review: Isabel Hagen’s Viola-Playing Heroine Finds Humor in Stagnation

    By Paul Emmanuel EnicolaJune 8, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.