Close Menu
    Facebook X (Twitter) Instagram
    Monday, October 19
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Media Partners
      • Terms of Use
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Comedy

    Review: ‘Dead Pigs’ is a High Recommend for Anyone Who Likes Smart, Tongue-in-Cheek Humor and Satire

    Nace DeSandersBy Nace DeSandersSeptember 1, 20211 Comment3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Dead Pigs
    A scene from Cathy Yan's "Dead Pigs." Photo: Beijing Culture.
    Share
    Facebook Twitter Email Copy Link

    “Dead Pigs” is the 2018 Chinese family drama/comedy, written and directed by Cathy Yan. The film opens by illustrating its unique world in vibrant neon colors accompanied by hilarious antics. This sets the tone for a film that remains absolutely insane throughout its run-time. The movie is an extremely entertaining ride and deserves more recognition. This is the film that started Cathy Yan’s career with a bang.

    The strength of “Dead Pigs” is its wide array of characters. First we have Candy, who is a hard-working and caring woman who is stubborn in her principles. Then we have Wang Zhen, a shy and unconfident young adult who toils without complaint to support his family. The film also introduces Xia Xia, a rich girl with spunk who values kindness and ethics in others. It rounds this out with Wang Zhen’s father, a lovable oaf who means well despite his foolish blunders and Sean Landry, who is an awkward fish out of water who doesn’t necessarily realize he’s out of water.

    A Colorful Cast of Characters

    The film bounces from character to character in scenes that are short and to the point. Because of this, each segment has a clear beginning, middle, and end and often finishes with a bit of a cliff hanger to keep the viewer engaged. Never is the viewer confused or disoriented by the many stories happening in unison. It’s expert storytelling.

    The colorful cast of characters is set against a neon color palette that makes every setting look stunning. In fact, the only time this movie uses dull or boring colors is when showing actual dead pigs. Bright colors and neon hues abound, “Dead Pigs” has a similar look to Nicholas Winding Refn’s “Drive” or Kar-Wai Wong’s “Chungking Express.”  The cinematographer, Federico Cesca, had worked on over 25 short films before “Dead Pigs.” Using their broad experience, Cesca was able to create a distinct look for the film. In addition, music video adjacent extra wide shots that display vast landscapes with diverse textures are a main staple in this film. The cinematography is an absolute asset during the film’s run-time.

    Dead Pigs
    Vivian Wu in a scene from “Dead Pigs.” Photo: courtesy of CAAMFest.

    “Dead Pigs” is funny yet poignant in its depiction of truths in Chinese society, even through a satirical lens. The film recognizes how fantastical it is, ending the film in a sing-along moment. Highly recommended to anyone who likes smart, tongue-in-cheek humor, this is a fantastic film with wide appeal.

    “Dead Pigs” is available to watch or rent from most streaming services. 

     

     

     

     

    arthouse Cathy Yan China Chinese comedy Dead Pigs drama satire Vivian Wu world cinema
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleSeptember Streaming Guide: 10 Must-See Movies and TV Series to Stream this Month 

    Next Article Review: ‘Cinderella’ a Progressive Take on the Fairy Tale with Sweet, Romantic Moments Through the Film
    Nace DeSanders
    • Website
    • X (Twitter)
    • Instagram

    Nace DeSanders (she/her/hers) is a semi-nomadic filmmaker from New York but you won’t often find her there! Nace loves all kinds of films but specializes in indie films by and/or about women! Information about projects can be found on her IMDb page, her website: nacedesanders.com, or her Instagram/Twitter: @nacedesanders.

    Related Posts

    Film Festival October 16, 2026

    NYFF 2026: ‘Rose’—If the Trousers Fit, Wear ‘Em

    Independent October 11, 2026

    The Short Film ‘Vital’ Interrogates Iran’s Legal Organ Trade but Lands on the Real Culprit—Poverty

    Film Festival October 11, 2026

    NYFF 2026: ‘Bucking Fastard’—Mara and Mara for the Twin

    1 Comment

    1. Cara W on September 1, 2021 1:15 PM

      Love this review and the movie too

      Reply
    Leave A Reply Cancel Reply

    Latest Posts

    ‘Primate’ Review: Terrible Horror, but Surprisingly Fun to Watch

    By Matt DeCristoOctober 19, 20260

    1986’s ‘April Fool’s Day’ is Entertaining and Original, Despite some Writing Missteps

    By Mark ZiobroOctober 18, 20260

    ‘The Invasion’ Review: Nicole Kidman Stars in this Offshoot of Classic Horror Franchise

    By Matt DeCristoOctober 17, 20260

    ’14th:’ A Strong Constitutional Argument in a Traditional Documentary Form

    By Anwar ShahadatOctober 16, 20260
    Follow Us
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    • Bluesky
    • LinkedIn
    Bollywood
    Bollywood

    An Unusual Ghost Story, ‘Phillauri’ is Bollywood’s Answer to ‘Corpse Bride’

    By Vidal DcostaSeptember 20, 20260

    I eagerly await the release of a Clean Slate Filmz production. Owned by actor Anushka…

    ‘The Great Grand Superhero’ is More Effective than ‘The Happening’ in Promoting Green Living

    By Vidal DcostaJune 23, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.