Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Movie Review

    Review: ‘Honey, I Shrunk the Kids’ Perfect Stroll Down Memory Lane

    Matt DeCristoBy Matt DeCristoAugust 11, 2021No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    “Honey, I Shrunk the Kids” is a perfect stroll down memory lane. The 1989 Disney production straddles the precipice of two amazing decades in entertainment and life in general. But does a film I loved as a kid hold up today?

    The film stars the hysterical Rick Moranis as Wayne Szalinski, a scientist balancing his family life with his crazy inventions. In this case, a machine that can – spoiler alert – shrink things!

    The 1980s saw the rise of the wacky inventor character. Icons like Doc Brown from “Back to the Future” and Randall Peltzer from “Gremlins” made this a logical career choice for those so inclined. Rick Moranis fills the job function perfectly. His demeanor blends smart with nerd; qualities that made him a star in classic films “Ghostbusters” and “Spaceballs.” He’s funny and knows how to play this part.

    Honey, I Shrunk the Kids
    refer to the title

    The concept of the story itself is great though the special effects are laughable at times. The two Szalinski kids; popular and pretty Amy (Amy O’Neill) and rising nerd Nick (Robert Oliveri) along with the neighbors; slacker Russell (Thomas Wilson Brown) and bully Ron (Jared Rushton) are the titular kids. After being shrunk and accidentally tossed out with the garbage, they embark on an amazing journey through the perilous backyard. And they fend off bugs, sprinklers, and the lawnmower, Wayne struggles to determine what happened.

    “Honey, I Shrunk the Kids” is a blend of comedy, science fiction, romance, and adventure. There are also themes such as the importance of size and being true to yourself. The siblings bond in the backyard. The neighbors bond in the houses as they are fraught with worry.

    Honey, I Shrunk the Kids
    Rick Moranis owns the role of crackpot inventor

    I could pick apart the flaws easily. As mentioned before the effects are pretty bad though they fit with a slapstick movie like this. The believability of how quickly everyone accepts the situation is odd but come on, it was the final year of the 80s. Great fashion, rotary phones, mentions of the mall. It doesn’t get better than that.

    “Honey, I Shrunk the Kids” is a funny movie that the whole family can sit down and enjoy. In honor of the classic bee scene, it gets that for a grade. I’ve read Moranis may return for a reboot and that would be welcomed by me.

     

     

     

     

    Amy O'Neill Jared Rushton Kristine Sutherland Marcia Strassman Matt Frewer Rick Moranis Robert Oliveri Thomas Wilson Brown
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘I Can See the Future’ an Eerie and Haunting Campfire Short About a Tragic Birthday Event 

    Next Article Fantasia 2021 Review: ‘Baby, Don’t Cry’ is a Purposeful Film Exploring Otherness, Trauma, and Belonging

    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Action February 22, 2026

    ‘Mercy’ Review: Chris Pratt is One Angry Man

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.