Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Movie Review

    Review: ‘Ferris Bueller’s Day Off’ 35 Years Later Still One of the Best

    Matt DeCristo By Matt DeCristoAugust 30, 2021No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Ferris Bueller's Day Off
    Share
    Facebook Twitter Email Copy Link

    “Ferris Bueller’s Day Off” remains one the best films ever made.

    The 1986 John Hughes classic is one of my earliest favorite films. I watched the tape endlessly as a kid, as a sick-day movie and an anytime treat. It may in fact be my single most watched movie, but who knows.

    The film stars Matthew Broderick as the titular teen; the original cool kid who has control over the entire school and can get away with anything. Ferris continually breaks the fourth wall as he narrates his thoughts. Opening with an elaborate scheme to take a sick day from school, Ferris is joined by his best friend Cameron (Alan Ruck) and his girlfriend Sloane (Mia Sara) on a memorable day of excitement. “The question isn’t, “what are we going to do,” Ferris states as the day commences, “the question is, “what aren’t we going to do?”

    Ferris Bueller's Day Off
    Alan Ruck, Mia Sara, and Matthew Broderick in “Ferris Bueller’s Day Off”

    John Hughes (the late icon in ’80s filmmaking) grew up in Chicago; and like most of his films, “Ferris” takes place amidst the gorgeous backdrop of the city. Hughes featured several famous Chicago landmarks such as the Sears Tower, Wrigley Field, the Von Steuben Parade, and the Art Institute of Chicago in the film. Said Hughes, “I really wanted to capture as much of Chicago as I could. Not just in the architecture and landscape, but the spirit”. While watching, the viewer will consider Chicago itself to be a character in the story.

    A comedy by design, “Ferris Bueller’s Day Off” is, at its heart, a tale of friendship. The all-knowing Ferris dispenses bits of wisdom throughout the journey, and genuinely explains to the troubled Cameron at one point “I’m not doing this for me, I’m doing it for you.” Straddling the line of realism, Ferris and his friends are stalked throughout the day by the school principal (Jeffrey Jones) and Ferris’ own sister (Jennifer Grey.) Each are determined to bring overdue justice to the slick Ferris. No matter how cartoonish, everything fits within the crafted universe of the story.

    Ferris Bueller's Day Off
    Ferris et al on a joyride in Chicago

    The cast delivers in all aspects. From Broderick’s cool composure to Ruck’s high strung anxiety, each character is a flawless representation of what they are intended to convey. Cindy Pickett and Lyman Ward play the Bueller parents, and character actor Edie McClurg is funny as the principal’s secretary. Charlie Sheen and Ben Stein make memorable cameos, with the latter being most known for one simple word spoken on repeat. Bueller…Bueller….The soundtrack is filled with 80s gems, and the costumes, set design, and layout of Ferris’ bedroom offer perfect nostalgia.

    “Ferris Bueller’s Day Off” is one of my favorite films. Funny, emotional, and memorable, it stands as one of Hughes’ best works. One of the most iconic lines; “Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it.” Is still emulated by high school seniors in yearbooks today – 35 years later. That in and of itself demonstrates the iconic nature of a 103 minute comedy. It’s a film that should be owned, cherished, and replayed.

     

     

     

     

    Alan Ruck Ben Stein Ferris Bueller's Day Off john hughes Matthew Broderick Mia Sara
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘The Phantom Carriage’ One of the First Horror Movies Ever Made
    Next Article In conversation with Nicola Clark, Founder of ‘Acting Your Age,’ an Initiative to nip Ageism Within the Industry in the Bud
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Interview June 13, 2025

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    TV Series June 11, 2025

    TV Review: How Seth Rogen’s ‘The Studio’ Marries Art and Commerce—and Why It Resonates as a Masterpiece

    Movie Review June 10, 2025

    ‘The Day After’ Review: Epic TV Movie Demonstrates the 80s Don’t Hold Punches

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    By Paul Emmanuel EnicolaJune 11, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    A curious trend emerged across several films at this year’s Tribeca Festival: characters retreating to…

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250

    ‘On a String’ Tribeca Review: Isabel Hagen’s Viola-Playing Heroine Finds Humor in Stagnation

    By Paul Emmanuel EnicolaJune 8, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.