Set in Toronto, the film deals with the common theme of directionless young adults in a post collegiate landscape. It’s a story of identity, acceptance, and great friendships. The movie focuses on two friends; Zoe (Heather Abrams) and Peter (Adam Campbell) as they navigate the tumultuous world of trying to date in their own gray areas while living in a modern mobile world that often places us deeper into isolation.
“ACE AF” features great dialogue, in particular several walk and talk scenes in which the characters are being themselves amidst the bustle and noise of the big city as they discuss their attempts at dating – and their difficulty with it.
The acting is very good from the two leads. Heather Abrams delivers an emotionally charged performance in the role of Zoe. The viewer will instantly feel her pain and search for any way to help, despite her only desire being acceptance. Abrams has the ability to crank the intensity when needed, and will be a talent to watch going forward.
The character of Peter is very well developed as well. He’s a photographer who’s clearly uncomfortable being in front of the camera, and while confident in his identity, still worries about finding true love. Supporting roles are handled well with Noah Sisson as Tommy, a burgeoning love interest, and Erin Humphry as Iris, Zoe’s outgoing friend.
Bridget K. Brule handles all facets of the production from the writing of great dialogue to the subtle touches of cinematography including text messaging conversations on-screen, a must for any modern film. I also loved the score, which Brule assembled from Artlist.
“ACE AF” is worth checking out. You’ll find the characters thoroughly enjoyable and you’ll leave the film wanting to see more.
