We are first introduced to Reeves as Thomas Anderson, a software employee who moonlights as a hacker named ‘Neo.’ He lives alone, his apartment is dark, void of color, filled only with computing equipment. It’s evident this is an underground world that lives and breathes in secrecy. On a typical evening, Anderson’s life is unexpectedly interrupted when his monitor displayed a series of messages. Confused yet at the same time intrigued, he considers the messages. Once Neo decides to venture down the rabbit hole, the story begins to unfold.
This is a film familiar to many by now, especially for its camera work and visual effects. The ‘bullet time’ technique, first put on display in the film, elicited that wow factor from audiences. Multiple action sequences—including scenes shot in the lobby of a secure facility and a helicopter rescue—are simply stellar to watch. The idea of entering a program, where there are few—if any—limits on what one can do is fascinating. However, on a deeper level, this is also a film about purpose and finding your truth. Lilly and Lana Wachowski pen a thought-provoking script, which invites audiences to consider whether human beings are mere mortals, or are meant for something more.
Carrie Ann Moss, who plays ‘Trinity,’ displays the character’s impressive martial arts skills beginning with the film’s opening sequence. Moss shows her as fierce, yet calm and measured. She meets Neo, and asks him to consider exploring answers to the questions that drive him, including the well-known puzzler What is the Matrix? She also explores her feelings for Neo throughout the film, which she later confesses to him.
Morpheus, portrayed by Laurence Fisburne, represents the spiritual center of their group. He is wise, patient, and committed to his cause; he spends his entire life searching for the key to saving the last remaining human city, Zion. Fishburne speaks with such a gentle command, and he speaks every syllable in a masterful way. Convinced he’s found the One, he goes to great lengths to protect Neo.
Hugo Weaving as Agent Smith gives a wonderful, menacing performance. It’s evident early on in the film that although the agents are strong, they are indistinguishable, except for Smith. He is the perfect counterpoint to Reeves. Starting with this film, and throughout the series, the film shows they represent two different sides of the same coin. Both Neo and Smith lack control over their fate, and they go to extreme lengths to secure it. We see the fine line between having control and being out of control “The Matrix” represents in these two characters.
“The Matrix” raises many questions. One of the most important scenes in the film, involving whether to take the blue pill or the red pill, begs the question: is it better to open ourselves up to the possibilities life offers, and allow ourselves the opportunity for growth and change? Or as Cypher (Joe Pantoliano) would agree, is it better to remain blissfully unaware? Neo proclaims to Morpheus, “I don’t like the idea that I am not in control of my life,” as he chooses to go down a new path towards his destiny. These ideas are a lot to think about; and after all these years, I still could never seem to get them off of my mind.
Lilly and Lana Wachowski (clearly a bit inspired by the thriller “Virtuosity”) released this film ahead of its time, and it still stands the test of said time. It’s impossible to say what kind of experience a person who watches the picture might have, because there is much to unpack. “The Matrix,” as a film, is approachable yet unapproachable at the same time. It has tremendous re-watchability, and includes depth and details that necessitate at least an additional viewing to understand its full impact.
*”The Matrix” is currently available to watch on HBO Max and Google Play.
