Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Movie Review

    Review: ‘Reservoir Dogs’—Are You Gonna Bark All Day, Little Doggy, Or Are You Gonna Bite?

    Matt DeCristoBy Matt DeCristoMay 28, 2021No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    Trendsetting artist Quentin Tarantino came out of nowhere in 1992 with his independent phenomenon “Reservoir Dogs.” Filmed on a paltry budget and including a nonlinear storyline, gratuitous violence, foul language, and high body count, it would serve as a blueprint for Tarantino’s personal filming style in the decades to come.

    The majority of the film takes place in a single locale; an abandoned warehouse serving as a rendezvous point for six criminals in the aftermath of an armed heist gone wrong. One of the thugs is suspected of being an undercover cop. This facet adds gripping tension and suspense as the story plays out. Despite being dialogue heavy, “Reservoir Dogs” is written so well it will keep you captivated throughout its entirety. Only sparse flashbacks depicting the actual crime are mixed in. It’s a (slightly) more realistic story than many of Tarantino’s later films would prove to be.

    Harvey Keitel as Mr. White

    The casting makes for truly memorable characters, with specific scenes and lines staying with you long after you finish watching. The actors portray a brilliant breadth of talent; from the calm and always cool Harvey Keitel to the frantic and high strung Steve Buscemi. Tim Roth does a phenomenal job portraying a character with a gruesome gunshot injury with his anguish coming alive. And everyone who watches “Reservoir Dogs” will be blown away by the frigid and frightening demeanor of Michael Madsen portraying one of the more notable psychopaths in cinema history. Lawrence Tierney and Chris Penn serve as the orchestrators of the crime. It’s a group of robbers and killers that make being bad look so incredibly cool.

    Though taking place in the present day, the soundtrack for the entire movie consists of classic gems. One hit wonders from the 70’s come courtesy of the radio station blaring over the speakers in the warehouse. The tunes fit with each scene and put the viewer right in the middle of the chaotic melee. The songs from the radio also comprise the only score in the movie.

    The Reservoir Dogs

    Quentin Tarantino displays his prowess as a filmmaker with amazing shots and a style that gives a noir vibe to the production. The 99 minute run time doesn’t waste a single frame. Despite the big names on screen, you get the true grit of an indie film right from the open. Tarantino’s script relies heavily on dialogue and pop culture references that would be a precursor for his later work. The opening scene consist of the gang at breakfast tossing typical banter before devolving into a discussion about the merits of tipping. It’s natural and captivating in a way that many other films and television shows would mimic from that point forward.

    While later titles “Pulp Fiction,” “Kill Bill,” and “Django Unchained” received heavy promotion, “Reservoir Dogs” dropped with little in the way of publicity. It remains Tarantino’s best film and one of the greats of all time. Whether watching for the first time or the millionth, it’s a solid way to usher in the summer.

     

     

     

     

    Chris Penn Harvey Keitel Lawrence Tierney Michael Madsen Quentin Tarantino Reservoir Dogs Steve Buscemi Tim Roth
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘Those Who Wish Me Dead’ a Competent Thriller that Excels in Writing and Tone
    Next Article Review: ‘That Girl in Yellow Boots’ an Underrated Film about Lies, Deceit, and the Struggle of Existence for Women in Society

    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Horror February 28, 2026

    Why Do We Keep Returning to the ‘Scream’ Films?

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.