Close Menu
    Facebook X (Twitter) Instagram
    Sunday, June 7
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Feature Article

    A Closer Look: Analyzing the Controversy and Audience/Critic Divide of J Blakeson’s ‘I Care a Lot’

    Gryphon MagnusBy Gryphon MagnusFebruary 28, 2021No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    I Care a Lot
    "I Care a Lot." Photo: Seacia Pavao/Netflix, 2020.
    Share
    Facebook Twitter Email Copy Link

    Netflix’ “I Care a Lot” released last week, and it has taken the Internet by storm. The reviews have been some of the most divisive I’ve seen in a long time, some people absolutely despising it and others praising it. Even Rotten Tomatoes had a huge gap: the critics gave it mostly good reviews, resting at 81%. But the audience, however, felt very differently. The audience reviews are at a mere 36%, a range I’ve never really seen in these big-budget Netflix movies. So what made “I Care a Lot” so divisive? 

    The plot is rather dark and disturbing. Marla (wonderfully played by Rosamund Pike) is a glorified grifter: she is a court-appointed guardian for elderly people who aren’t able to care for themselves. Once she has them in her clutches, she ships them off to an old folk’s home and takes every penny they have. Additionally, most of these residents are perfectly capable of looking after themselves. 

    Ten minutes into the film and you know she’s one of the evilest characters in film. Not poorly written, mind you. On the contrary, the writers have to be incredibly skilled to make us hate a character with such a passion. It’s an interesting choice to have such a dislikable protagonist. I figured that there must be someone we root for, right? Nope. The closest we come to a likable character is a human-trafficking mob boss played amazingly by Peter Dinklage. 

    This is where a vast majority of criticism comes from. People drone on about how horrible everyone was, and therefore that makes it a bad movie. I couldn’t disagree more. I think that the notion that all protagonists have to be someone we like is an extremely misguided one. “Take Good Time,” for example. Robert Pattinson’s character was a horrendous person, and he only got worse through the course of the film. This didn’t make the film worse at all, though. In fact, extremely flawed characters make for great storytelling, because the audience wants to know more about how they got to be the way they are. By forcing us to choose between the lesser of two evils, “I Care a Lot” strips us from our morals and makes us question if we’re on the right side. 

    I Care a Lot
    Rosamund Pike and Dianne Wiest in “I Care a Lot.” Photo: Seacia Pavao/Netflix, 2020.

    Another reason people dislike the film is because of Rosamund Pike’s character specifically. Throughout the film, Marla throws out some feminist quotes and ideas. It was a rather undercooked plot point, as it was never really incorporated into her motivations. It would be interesting if she was using her ideology as an excuse for her horrible actions, but it didn’t really go anywhere. Still, that didn’t stop audiences from review bombing the movie because of this. People were hating the few lines about feminism, and that was enough for them to hate her and the movie. 

    It seems these people completely missed the point of the movie. They seem to think that we’re supposed to be on her side. The audience is supposed to hate Marla because she’s a horrible person. Not because she’s a feminist. Again, that could’ve been an interesting element of her character, but they didn’t capitalize on it. 

    …there is lots of valid criticism. But when there’s such a gap between critics and audiences, you begin to think that there’s a little more than a flawed plot.”

    There are some people on the opposite side of the spectrum, however. I truly believe this movie did not try to glorify her. The same can’t be said for a majority of audiences, though. Many people on social media continue talking about how great and powerful she was, and how she’s an entrepreneurial icon. I personally think that’s kind of effed up, considering there was barely a notion of sympathy for her character. 

    Now, “I Care a Lot” is far from a perfect film, and lots of criticism is valid. I personally think the third act left a lot to be desired, and that some of the situations were a little too implausible. But when there’s such a gap between critics and audiences, you begin to think that there’s a little more than a flawed plot. Movies like this divide people for all the wrong reasons, while true flaws are left in the dust. 

    evil character I Care a Lot J Blakeson Peter Dinklage protagonist Rosamund Pike
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘The Kiss’ (1896) Important for its Historical Significance, Sparked a Tug-of-War Between Censorship and Filmmaking

    Next Article Review: ‘The Untouchables’—You Can get Further with a Kind Word and a Gun than Just a Kind Word
    Gryphon Magnus

    Gryphon Magnus is a high school student from Alexandria, Virginia. He loves film and hopes to one day be an actor and filmmaker. He is constantly writing new scripts and ideas for movies and television. Some of his favorite movies are “Baby Driver," “The Shawshank Redemption," “Ferris Bueller's Day Off," and “Dazed and Confused.” Gryphon loves analyzing trailers and has a special place in his heart for comic book movies.

    Related Posts

    Feature Article May 30, 2026

    ‘Midnight Girls’ and the Filipino Cost of Surviving Away From Home

    Marvel May 20, 2026

    Marvel Retrospective: Halfway Till ‘Doomsday’ and Anticipation for the Next ‘Avengers’ Film

    Feature Article May 8, 2026

    Exile, Guilt, and the Long Way Back to Ithaca: Christopher Nolan’s Obsession With Home

    Feature Article May 3, 2026

    ‘Mother Mary:’ Feeling like a Woman and Letting the Ghost be Consumed By You

    Amazon April 10, 2026

    ‘The Boys’ Season 5 So Far: A Discussion (Spoiler Heavy)

    Halfway2Halloween April 7, 2026

    Halfway to Halloween: Parents in Horror Movies are the Real Villains

    Leave A Reply Cancel Reply

    Latest Posts

    ‘The Heavenly Kid’ Review: Does this Unknown Romcom Stack up to Other 80s Gems?   

    By Matt DeCristoJune 7, 20260

    Tribeca 2026: ‘Imaginal Disk,’ the Concept Album from ‘Magdalena Bay’ is Artistic Splendor — if Overlong

    By Mark ZiobroJune 7, 20260

    Tribeca Shorts Roundup: ‘Saba’ and ‘Eeny, Meeny, Miny, Moe!’ Offer Solid Animation and Storytelling

    By Mark ZiobroJune 7, 20260

    ‘Ceremony’ imagineNATIVE 2026 Review: When a Missing Fish Opens Up a Nation’s Memory

    By Paul Emmanuel EnicolaJune 6, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Bollywood
    Bollywood

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    Sagar (Irrfan Khan), an ambitious musician rents a quaint cottage while awaiting his acceptance letter…

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260

    Halfway to Halloween: ‘Lekin…,’ a Time-Spanning Tale About Crossing Over to the Other Side

    By Vidal DcostaApril 22, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.