Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    12 Days of Christmas

    Review: ‘A Christmas Prince’ the Perfect Guilty Pleasure

    Matt DeCristo By Matt DeCristoDecember 19, 2020No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    “A Christmas Prince” is Netflix’s counterpunch to the Hallmark Channel for the heavyweight title of Best and Cheesiest Holiday Flicks. The 2017 release is also the perfect guilty pleasure movie, and a great watch in the days leading up to Christmas.

    Managing to tug the heartstrings, evoke laughter, and capture the holiday festivities, “A Christmas Prince” stars Rose McIver as a cute and quirky reporter named Amber, dressed in casual attire and her trademark Converse sneaks, as she goes undercover to the kingdom of Aldovia to get the scoop on the fictional countries playboy Prince Richard (Ben Lamb).

    Ben Lamd and Rose McIver in “A Christmas Prince”

    The cast is what makes the film so enjoyable, with Rose McIver turning out a dazzling performance of the comically klutzy character, posing as a tutor for Prince Richard’s kid sister (Honor Kneafsey). The rapport between these two alone is great, with Amber helping the young girl cope with her disability (in a somewhat controversial aspect the real life actress is not confined to a wheelchair). The eventual chemistry between Amber and Prince Richard is quite authentic. Amber has a loving father and two best friends (Tahira Sharif and Joel McVeagh) who are across the pond and help with her clandestine mission. The ancillary characters that make up the inhabitants of the castle and country are great in their parts.

    “A Christmas Prince” does what many other low budget holiday movies gloss over and that is having a unique and organic plot. There’s no forced conflict, in fact it’s the opposite. Its believable that Amber works for the tabloid paper and wants to become a real reported, and thus is dispatched to cover the story of the prince. Likewise, the conflict with Prince Richard and his ascension to the thrown is one we don’t see coming and it too manages to work.

    Theo Devaney and Emma Louise Saunders are the antagonists

    Set amidst the snow covered castle, the holiday season is there in every scene. The countryside of Aldovia, while conjured for this movie, is one we can smile at when we witness its breadth.

    “A Christmas Prince” is the first of three in a trilogy and we’ll cover each in the subsequent years. It may be fanboy gushing but I would love to see the cast return for a fourth or better yet – a Netflix television series. Either way, it’s a fun movie to watch and sets the mood for your Christmas movie viewings.

     

     

     

     

    A Christmas Prince netflix Rose McIver
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘3:10 to Yuma’—James Mangold’s Star-Studded Remake is a Blazing Modern Western
    Next Article ‘Canvas,’ a Short, Animated Film that Strikes Chords of Inspiration and Acceptance now Streaming on Netflix

    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Interview June 13, 2025

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    TV Series June 11, 2025

    TV Review: How Seth Rogen’s ‘The Studio’ Marries Art and Commerce—and Why It Resonates as a Masterpiece

    Movie Review June 10, 2025

    ‘The Day After’ Review: Epic TV Movie Demonstrates the 80s Don’t Hold Punches

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    By Paul Emmanuel EnicolaJune 11, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    A curious trend emerged across several films at this year’s Tribeca Festival: characters retreating to…

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250

    ‘On a String’ Tribeca Review: Isabel Hagen’s Viola-Playing Heroine Finds Humor in Stagnation

    By Paul Emmanuel EnicolaJune 8, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.