Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    12 Days of Christmas

    Review: ‘A California Christmas’ Not Really a Christmas Movie

    Matt DeCristo By Matt DeCristoDecember 18, 2020No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    Despite its title, “A California Christmas” is not really a Christmas movie.

    The 2020 Netflix flick is set in December – an opening placard indicates its 2 weeks until the holiday and thankfully it does, otherwise you would have no idea of a Christmas feel. Maybe it’s the setting which starts in San Francisco and goes through the Napa Valley.

    Lauren and Josh Swickard star

    The two main characters are a real life husband and wife team played by Josh and Lauren Swickard – the latter of whom also wrote the story. Both are decent in their acting abilities, and by the end you’ll notice how the actually chemistry between the two is enhanced by their real life relationship.

    Callie (Lauren Swickard) operates a small family ranch that is sinking financially. She also cares for her cancer-stricken mother (Amanda Detmer) and little sister (Natalia Mann). Joseph (Josh Swickard) is a smarmy playboy sent by his money craving mother to buy the ranch since it stands in the way of a greedy and evil corporation making even more money. Joseph is said to have one skill – charming young women – and he ends up going undercover as the new ranch hand, falling in love with Callie, causing tension when his true intentions are outed, and ultimately saving the day. I’d offer a spoiler warning, but the progression of the plot is blueprinted from the start. That’s not to say it’s a bad thing – I for one love the charm and cheese of a good Christmas movie, but the lack of a holiday feel makes this one suffer a bit.

    Lauren Swickard, writer and star

    City Boy to Farmer Life is a standard trope, and most of the scenes depicting Joseph attempting to do ranch work and actually falling for Callie are glossed over with a quick montage – which is the gist of the movie. I loved the comical characters of Leo and Manny (Ali Afshar and David Del Rio) who made for some really funny scenes. The chemistry of the cast is one of the positive notes, and I would be interested in watching this as a television series.

    “A California Christmas” isn’t awful, it just misses as a Christmas movie. A lack of desert heat and cowboy attire would be an improvement, and since Lauren Swickward is promising as a writer, she can hopefully adjust for the inevitable sequel.

     

     

     

     

    A California Christmas Ali Afshar Josh Swickard Lauren Swickard
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous Article‘True Colors Film Festival:’ A Celebration of Diversity and Inclusion in the Field of Cinema and the Performing Arts 

    Next Article Review: The Themes of ‘The Neon Demon:’ the Dangers of Being Female
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Interview June 13, 2025

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    TV Series June 11, 2025

    TV Review: How Seth Rogen’s ‘The Studio’ Marries Art and Commerce—and Why It Resonates as a Masterpiece

    Movie Review June 10, 2025

    ‘The Day After’ Review: Epic TV Movie Demonstrates the 80s Don’t Hold Punches

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    By Paul Emmanuel EnicolaJune 11, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    A curious trend emerged across several films at this year’s Tribeca Festival: characters retreating to…

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250

    ‘On a String’ Tribeca Review: Isabel Hagen’s Viola-Playing Heroine Finds Humor in Stagnation

    By Paul Emmanuel EnicolaJune 8, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.