Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    31 Days of Halloween

    Review: ‘The Amityville Horror’ Formula is Jump Scare + Loud Noise = All We Have

    Matt DeCristoBy Matt DeCristoOctober 24, 2020No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    The first jump scare in “The Amityville Horror” made me leap from my skin. It was unexpected and done in such a way it can be a lesson in the cinematic art of saying boo! To clarify, this is not a review of the 1979 cult classic, but rather the 2005 remake.

    The movie, which stars Ryan Reynolds in a fairly early role for him, follows the plot of the original story, true events that have been rehashed and relived many times. It opens with the 1974 massacre of the DeFeo family at their creepy estate in Amityville, New York, a genocide in which the assailant claimed evil voices from within the house were the reason behind his actions.

    Ryan and Reynolds and Melissa George

    George and Kathy Lutz move into the home a year later, bringing with them three small children and the promise of a new start. Immediately after their arrival, the ghosts of Amityville torment them in classic haunted house style. It’s a similar formula to a host of 2000s era horror movies, with this one being particularly bad. Clocking in at a robust 89 minutes, “The Amityville Horror” starts out with the aforementioned scene that nearly made me wet myself, and followed up nicely with some more chilling parts. Unfortunately, it goes back to the Jump Scare + Loud Noise = All We Have well on a seemingly continuous loop, abandoning all signs of subtlety in its wake and leaving us with a terrible movie.

    Ryan Reynolds is a decent actor, but here he’s simply a caricature of a typical horror movie maniac. Midway through, I actually asked myself out loud if George Lutz had somehow transitioned into Jack Torrance, as the house tries to get him to kill his family and he lumbers around in a constant sweat and bugging eyes, dragging an axe behind him. The contentious relationship between George and his three stepchildren is barely present, as George seemingly goes from loving man to a berserk freak in a matter of minutes.

    The Amityville Horror

    Opposite Ryan Reynolds is Melissa George in the role of Kathy. Like Reynolds, George does fine with her performance in an otherwise awful movie. She has the ability to portray the loving mother with the typical horror movie stupidity. In one scene, she notices the magnetic letters on the refrigerator have changed on their own to spell out something horrific. When George questions her shock, she sees that the words have gone back to normal and responds that she is “Just seeing things I guess” as if a grown woman would think the wind reorganized the letters or something.

    Rachel Nichols as Lisa – a babysitter like no other

    The children complete the Lutz clan, with a young Chloë Grace Moretz (“Carrie”) as youngest daughter Chelsea. ‘Seinfeld’ fans will recognize Philip Baker Hall as Father Callaway, the obligatory priest who knows everything about the DeFeo family and the house itself, and the beautiful Rachel Nichols rounds out the cast as a sultry babysitter that no loving parents would leave in charge of their children.

    I haven’t watched the original and probably should as it is often heralded as a horror classic. This version of “The Amityville Horror” has a couple of decent scenes but is an otherwise complete disaster.

     

     

     

     

    Chloë Grace Moretz Melissa George Rachel Nichols Ryan Reynolds
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: ‘Slaughterhouse Rulez’—Beware the Horrors of the Big, Bad Boarding School!

    Next Article Review: Despite its Flaws, 1931’s ‘Dracula’ Holds a Solid Spot in Horror Culture
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Horror February 28, 2026

    Why Do We Keep Returning to the ‘Scream’ Films?

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Sisa’ Review: When ‘Madness’ Becomes an Act of Resistance

    By Paul Emmanuel EnicolaMarch 6, 20260

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.