Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    90s

    Review: ‘Slacker’ is Unlike Any Film You Have Ever Watched

    Matt DeCristo By Matt DeCristoAugust 21, 2020No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    “Slacker” is unlike any film you have ever watched. Bold statement concerning the 1990 Richard Linklater groundbreaking indie, and a statement that’s used a bit too much in the movie reviewing world, but in this case fully warranted. Selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant,” the movie has garnered claim as being the birth for the independent film movement of the 1990s.

    “Slacker” places its emphasis on Generation X, and serves as a period piece that introduces viewers to the decade of the 1990s. And like the subsequent fashion trends, musical style, and outspoken political beliefs of the era, the film has virtually no direction to it – and that’s what makes it such an amazing thing to watch.

    The liberated youth of 1990

    Clocking in at 100 minutes, the movie is set entirely in real time, occurring on a random and typical day in Austin, TX. There are no actors on screen, rather, real life inhabitants (including Linklater himself) of the hipster city. The presentation is done with a series of vignettes, none of which are related to the other. We follow a random character for a handful of minutes as they go about whatever it is they were doing. At some point, the character will unknowingly pass the spotlight on to another, and then another, and this continues for the entire movie.

    Slacker is close to being a single shot story. It has the remnants of an Off Broadway play with no stage break, special effects, or unusual props. As the characters come and go, you’ll see the genesis for reality TV as we know it. The tawdry film is like something from a prehistoric camcorder. There is literally no plot, making it comparable to another 90s gem, the show about nothing, “Seinfeld.”

    One of the funniest scenes in “Slacker”

    We’ve seen Linklater get the most out of very little in other films. “Before Sunrise” is an entire movie depicting two characters on a date. Here, Linklater takes a seemingly endless cast of characters – all just regular people coming from various walks of life though some a touch quirky – and gives the audience a snapshot into their existence at a particular moment in time on this totally routine day.

    The foreshadowing is something that will give you chills, as characters discuss issues with voter suppression and the (then) election of George HW Bush. The simple fact that the film is set in Austin on the precipice of the economic and cultural boom that would occur there is another uncanny facet. As is the case with the young adults of the 1990s, many have something controversial to say, and others are just happy getting by anyway they can. Parties, music, dating, and conspiracy theories – all subjects are touched upon.

    “Slacker” is a thing to behold. It provides great insight and nostalgia for those of us who long for the 90s, while serving as a blueprint in the fine styles of crafting an artsy independent film. It’s one of the most fascinating movies you will ever watch.

     

     

     

     

    Jean Caffeine Richard Linklater Rudy Basquez
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleReview: Ahead of its Time, “Baby Doll” Denied its Rightful Place of Early Cinema’s Best
    Next Article Review: ‘Impractical Jokers: The Movie’ Concept Doesn’t Translate from TV to Screen
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Interview June 13, 2025

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    TV Series June 11, 2025

    TV Review: How Seth Rogen’s ‘The Studio’ Marries Art and Commerce—and Why It Resonates as a Masterpiece

    Independent June 10, 2025

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    By Paul Emmanuel EnicolaJune 11, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    A curious trend emerged across several films at this year’s Tribeca Festival: characters retreating to…

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250

    ‘On a String’ Tribeca Review: Isabel Hagen’s Viola-Playing Heroine Finds Humor in Stagnation

    By Paul Emmanuel EnicolaJune 8, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.