Close Menu
    Facebook X (Twitter) Instagram
    Friday, June 5
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Action

    Review: Despite some cool shots, ‘Underwater’ is Mostly Wasted Potential

    Brynne RamellaBy Brynne RamellaApril 21, 2020No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    **Warning: spoilers ahead.

    If something about “Underwater” looks familiar to you, that’s because it’s pretty much been done before—it’s pretty much an underwater version of “Alien.” Whether or not the Kristen Steward vehicle was directly inspired by the iconic horror film is unclear. But what is certain is that “Underwater” doesn’t come close to capturing the cinematic magic of “Alien.”

    As the title suggests, “Underwater” takes place deep within the ocean. A team of engineers and scientists are stationed more than six feet under the surface to drill and learn. The film kicks the action off early, with a massive earthquake forcing the team to evacuate their station before it collapses. The team is given no choice but to walk two miles on the ocean floor to reach another station. Their journey becomes even more dangerous while they come across a number of dangerous and unexplained creatures all along their path.    

    “Underwater” is a lot of wasted potential across the board. The movie starts off big with a massive explosion, but kind of peters out from there. There’s not much of a story—the backgrounds of the characters and the corporation they work for are not really revealed. Without this additional information, audiences cannot connect to the characters. It’s a waste of indie darlings Kristen Stewart and John Gallagher, Jr. Stewart does fine with what she’s given. It’s hard to stay the same for Gallagher because, as he’s injured the majority of the film, he barely has anything to work with himself. As the film was released three years after it was shot, its use of T.J. Miller as comedic relief, which would’ve been a certified home run a few years ago, also misses the mark. 

    The idea of the monsters the crew comes in contact with is terrifying, but poorly executed. The crew typically just stumbles across the monsters. A good monster movie has its creature stalk its prey, not accidentally come across them. While a monster does snatch and kill a member of the crew, it leaves zero impact with viewers, since they never had a chance to truly connect to those characters anyway. 

    “Underwater” has the occasional worthwhile moment that shines through the muck. Glimpses of various creatures appearing in the crew’s headlights provides some fun thrills. The whole underwater motif provides for some cool shots as well. But ultimately, “Underwater” just ends up being a lackluster film.

     

     

     

     

    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleOur Top 25 Most Anticipated Films of 2020 (with adjusted dates due to Coronavirus delays)
    Next Article Disney/Pixar’s ‘Soul;’ a Trailer Review and Analysis
    Brynne Ramella
    • Website

    Brynne is a lifelong lover of movies and cannot remember a time where she wasn’t constantly offering her unsolicited movie reviews to anyone who would listen. She hails from Chicago and is lucky enough to live down the street from what she considers to objectively be the best theater in the city. Tweet your movie recommendations to her at @brynneramella. You can also catch her on ScreenRant and The Playlist.

    Related Posts

    Independent June 4, 2026

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    Drama June 3, 2026

    ‘The Currents’ Review: Taking the Plunge

    Bollywood June 3, 2026

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    Dark Comedy June 2, 2026

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    Western May 31, 2026

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    Marvel May 30, 2026

    Review: The TV Series ‘Spider-Noir’ Mixes Detective Work and Action — and Nicholas Cage

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    By Paul Emmanuel EnicolaJune 4, 20260

    ‘The Currents’ Review: Taking the Plunge

    By Kevin ParksJune 3, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    By Mark ZiobroJune 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Bollywood
    Bollywood

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    Sagar (Irrfan Khan), an ambitious musician rents a quaint cottage while awaiting his acceptance letter…

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260

    Halfway to Halloween: ‘Lekin…,’ a Time-Spanning Tale About Crossing Over to the Other Side

    By Vidal DcostaApril 22, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.