Close Menu
    Facebook X (Twitter) Instagram
    Monday, October 19
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Media Partners
      • Terms of Use
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    12 Days of Christmas

    Let it Snow (PG-13)

    Matt DeCristoBy Matt DeCristoNovember 16, 2019No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    “Let is Snow” won’t win any Academy Awards, and probably won’t become a go-to holiday season yearly tradition of watching. That said, there are plenty of worse ways to spend two hours on a muddled, not-yet-Thanksgiving but baby-its-cold-outside, mid-November snowy evening.

    The Netflix original movie stars a cast of young hip talent, and those of us born before 1990 may have a tough time recognizing any of them (save for Academy Award nominated Joan Cusack) but nevertheless, they have plenty of credentials and dare I say, the chops to play successful parts in a light-hearted movie of this ilk.

    Cusack’s character provides bookend narrations, explaining as the story opens the magic of a snowfall. The setting is small town Laurel, Illinois, and the ensemble cast consists of a host of high school seniors. It’s Christmas Eve, and a snowstorm is wreaking havoc on the town, and as a result, a crazy tow-truck driver (Cusack) inadvertently gets involved with the story arcs of the teens. “Snow has the power to bring us together.” She states as the movie opens. The issues the snow storm cause show how this is truly the case.

    I loved the Tarantino-style story. No, there are not gratuitous deaths. Director Luke Snellin weaves several independent plot lines together which follow different characters throughout the day culminating in a Christmas party at a local restaurant. Early on, there were seemingly so many different characters being introduced it was actually a bit confusing. But it’s quickly ironed down to three sets of couples being the main focus.

    The most enjoyable pairing belongs to Julie and Stuart, played by Isabela Merced and Shameik Moore respectively. Julie is given the direst backstory in the movie; she’s been accepted to Columbia University and desperately wants to get out of her small town, but fears she can’t go due to her mother’s terminal illness. Isabela Merced does a wonderful performance with the part, showing her days as a teen star on Nickelodeon (Dora the Explorer) have paid off well. Merced is paired with real life pop-star Shameik Moore, playing a version of himself in Stuart Bale – a teen heartthrob pop-star whose tour bus breaks down amidst the blizzard, stranding him in Laurel, and introducing him to Julie.

    In other news, the totally original concept of geeky guy (Mitchell Hope) who is secretly in love with his tomboyish best friend (Kiernan Shipka) is played out with the standard obviousness anyone who has ever watched a movie has come to expect. There is also a rift between two best friends, Dorrie (Liv Hewson) and my favorite character Addie (Odeya Rush) over the latter’s phone-obsessed narcissism. Toss in Jacob Batalon as Keon, a DJ wannabee who is planning the unforgettable Christmas Eve bash, and you have a group of young actors and actresses who can be funny and pull off the roles very well.  

    A Scrooge-esque critic could tear apart the plot holes, predictability, and overall campiness like a hot knife through a tender turkey. Predictable? Yes. Works out exactly as you would expect? Of course. A bit too woke? Agreed.But in the end, “Let it Snow” is a thoroughly enjoyable Christmas movie. Am I going to watch it again? Yup!

    2019 Isabela Merced Let it Snow netflix Odeya Rush Shameik Moore
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleThe Lighthouse (R)
    Next Article Crawl (R)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Netflix September 24, 2026

    ‘Monster: The Lizzie Borden Story’ Takes a Little Too Much Creative License this Time Around

    Action May 5, 2026

    ‘One Spoon of Chocolate’ Delivers Impressive Action but Weak Storytelling

    Netflix April 22, 2026

    ‘Beef’ Season 2 is a Binge-worthy Followup but Some Elements Feel Rushed and Underdeveloped

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Primate’ Review: Terrible Horror, but Surprisingly Fun to Watch

    By Matt DeCristoOctober 19, 20260

    1986’s ‘April Fool’s Day’ is Entertaining and Original, Despite some Writing Missteps

    By Mark ZiobroOctober 18, 20260

    ‘The Invasion’ Review: Nicole Kidman Stars in this Offshoot of Classic Horror Franchise

    By Matt DeCristoOctober 17, 20260

    ’14th:’ A Strong Constitutional Argument in a Traditional Documentary Form

    By Anwar ShahadatOctober 16, 20260
    Follow Us
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    • Bluesky
    • LinkedIn
    Bollywood
    Bollywood

    An Unusual Ghost Story, ‘Phillauri’ is Bollywood’s Answer to ‘Corpse Bride’

    By Vidal DcostaSeptember 20, 20260

    I eagerly await the release of a Clean Slate Filmz production. Owned by actor Anushka…

    ‘The Great Grand Superhero’ is More Effective than ‘The Happening’ in Promoting Green Living

    By Vidal DcostaJune 23, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.