Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Biography

    Extremely Wicked, Shockingly Evil and Vile (R)

    Matt DeCristo By Matt DeCristoMay 8, 2019No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    January 24, 1989 saw the execution of serial killer Ted Bundy in Florida’s electric chair. Bundy’s brutal crimes are something of legend in the annals of infamy, and 30 years after his death, we’re seeing a resurgence of interest in his story.

    Netflix released “Conversations with a Killer: The Ted Bundy Tapes” on January 24, and now follows up with a biographical crime thriller “Extremely Wicked, Shockingly Evil and Vile.” While the Bundy Tapes was an excellent documentary piece, something seems off with this current dramatization, from the casting of heartthrob Zac Efron as Ted Bundy, to the odd Tarantino-like chronological order of the story. It’s as if the filmmakers are making a fiction movie that glorifies the evil doings of a real person. When is the last time you saw a biographical picture with an ‘R’ rating?

    The movie is told through the perspective of Bundy’s longtime girlfriend, single mother Liz (Lily Collins). We all know Bundy is guilty, so the red herrings and claims of innocence as he interacts with Liz and her young daughter are somewhat moot. The movie opens in 1969 Seattle, but we are never offered a true feeling of the period. Instead, Director Joe Berlinger presents the story with a back and forth jump of time that covers the 20 years between the start and Bundy’s death in 1989. Zac Efron has received gratuitous praise for his performance, but I found it somewhat lackluster.

    While there’s no denying the horrific nature of Bundy’s crimes, the production of the movie takes a somewhat ghoulish turn midway through. During the infamous escape scene (Bundy escaped custody by jumping from a Colorado courthouse window) the song “The Letter” plays as Efron turns and mugs for the camera like a Guess model. Its fictionalized in a way that completely diminishes the severity of the situation. Ted Bundy is not Michael Myers or Hannibal Lector. He’s a real guy who raped and murdered 3 dozen real women in the not too distant past.

    The aloof tones continue to plague the entire second half of the movie. John Malkovich is one of the best actors out there – and as a heinous villain he can’t be beat. In fact, I would love to see him cast as a devious murderer (like Bundy but, you know, not real), but as the trial judge overseeing Bundy’s case, it misses the mark completely. And throw in Sheldon Cooper (I mean Jim Parsons) as the District Attorney and you’ve got a complete implosion. Seriously, I kept waiting for him to turn around in the court room and scold Penny for sitting in his seat.

    There’s a fascination with the crimes of Ted Bundy that started with swooning groupies at his televised trial in 1979 and continues to this day. But why watch a recreation with actors when the real thing is far more compelling. “The Ted Bundy Tapes” does an excellent job of providing historical context and offering the drama of the courtroom confrontation. “Extremely Wicked, Shockingly Evil and Vile” serves no point at all, and quite possibly, has the most stupid title of any movie in history.

    2019 Angela Sarafyan Extremely Wicked Jim Parsons John Malkovich Lily Collins Shockingly Evil and Vile Ted Bundy Zac Efron
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleBloodsport (R)
    Next Article Bull Durham (R)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    Movie Review June 10, 2025

    ‘The Day After’ Review: Epic TV Movie Demonstrates the 80s Don’t Hold Punches

    Movie Review June 9, 2025

    ‘High School U.S.A.’ Review: Old World Made for TV Comedy

    Action June 9, 2025

    ‘Ballerina’ Review: Blood, Sweat, and Ballet

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    By Paul Emmanuel EnicolaJune 11, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    A curious trend emerged across several films at this year’s Tribeca Festival: characters retreating to…

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250

    ‘On a String’ Tribeca Review: Isabel Hagen’s Viola-Playing Heroine Finds Humor in Stagnation

    By Paul Emmanuel EnicolaJune 8, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.